Table of Contents

LOVE POEMS
AND OTHERS

BY D. H. LAWRENCE
AUTHOR OF “THE WHITE PEACOCK” “THE TRESPASSER”

 

WEDDING MORN

The morning breaks like a pomegranate

 

Ah, when to-morrow the dawn comes late

 

It will find me watching at the marriage gate

 

On him who is sleeping satiate,

 

And when the dawn comes creeping in,

 

Myself to watch the morning win

 

As it shows him sleeping a sleep he got

 

He grows distinct, and I see his hot

 

Then I shall know which image of God

 

And I shall know my bitter rod

 

And I shall know the stamp and worth

 

Shall see an image of heaven or of earth

 

Yea and I long to see him sleep

 

I long to know what I have to keep,

 

My love, that spinning coin, laid still

 

For me to count—for I know he will

 

And then he will be mine, he will lie

 

Opening his value plain to my eye

 

He will lie negligent, resign

 

Shall watch the dawn light up for me

 

And I shall watch the wan light shine

 

On his brow where the wisps of fond hair twine

 

On his lips where the light breaths come and go

 

On his limbs that I shall weep to know

 

KISSES IN THE TRAIN

I saw the midlands

 

The fields of autumn

 

And sheep on the pasture

 

And still as ever

 

My mouth on her pulsing

 

And my breast to her beating

 

But my heart at the centre

 

Was still as a pivot,

 

On its prowling orbit

 

And still in my nostrils

 

And still my wet mouth

 

And still one pulse

 

And the world all whirling

 

Like the dance of a dervish

 

My sense—and my reason

 

But firm at the centre

 

Her own to my perfect

 

Like a magnet’s keeper

 

CRUELTY AND LOVE

What large, dark hands are those at the window

Lifted, grasping the golden light

Which weaves its way through the creeper leaves

 

Ah, only the leaves! But in the west,

In the west I see a redness come

Over the evening’s burning breast—

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Oh, water-hen, beside the rushes

Hide your quaint, unfading blushes,

Still your quick tail, and lie as dead,

Till the distance folds over his ominous tread.

The rabbit presses back her ears,

Turns back her liquid, anguished eyes

And crouches low: then with wild spring

Spurts from the terror of his oncoming

To be choked back, the wire ring

Her frantic effort throttling:

 

Ah soon in his large, hard hands she dies,

And swings all loose to the swing of his walk.

Yet calm and kindly are his eyes

And ready to open in brown surprise

Should I not answer to his talk

Or should he my tears surmise.

I hear his hand on the latch, and rise from my chair

Watching the door open: he flashes bare

His strong teeth in a smile, and flashes his eyes

In a smile like triumph upon me; then careless-wise

He flings the rabbit soft on the table board

And comes towards me: ah, the uplifted sword

Of his hand against my bosom, and oh, the broad

Blade of his hand that raise my face to applaud

His coming: he raises up my face to him

And caresses my mouth with his fingers, which still smell grim