Table des matières
In a Grove
Ryūnosuke Akutagawa
The Testimony of a Woodcutter Questioned by a High Police Commissioner
The Testimony of a Traveling Buddhist Priest Questioned by a High Police Commissioner
The Testimony of a Policeman Questioned by a High Police Commissioner
The Testimony of an Old Woman Questioned by a High Police Commissioner
Tajomaru's Confession
The Repentance of a Woman Who Has Come to Kiyomizu Temple
The Story of the Murdered Man, as Told Through a Medium
The Innocence of Father Brown
Gilbert Keith Chesterton
The Blue Cross
The Secret Garden
The Queer Feet
The Flying Stars
The Invisible Man
The Honour of Israel Gow
The Wrong Shape
The Sins of Prince Saradine
The Hammer of God
The Eye of Apollo
The Sign of the Broken Sword
The Three Tools of Death
The Man Who Knew Too Much
Gilbert Keith Chesterton
Chapter 1 THE FACE IN THE TARGET
Chapter 2 THE VANISHING PRINCE
Chapter 3 THE SOUL OF THE SCHOOLBOY
Chapter 4 THE BOTTOMLESS WELL
Chapter 5 THE FAD OF THE FISHERMAN
Chapter 6 THE HOLE IN THE WALL
Chapter 7 THE TEMPLE OF SILENCE
Chapter 8 THE VENGEANCE OF THE STATUE
The Wisdom of Father Brown
Gilbert Keith Chesterton
The Absence of Mr Glass
The Paradise of Thieves
The Duel of Dr Hirsch
The Man in the Passage
The Mistake of the Machine
The Head of Caesar
The Purple Wig
The Perishing of the Pendragons
The God of the Gongs
The Salad of Colonel Cray
The Strange Crime of John Boulnois
The Fairy Tale of Father Brown
The Moonstone
Wilkie Collins
PROLOGUE: THE STORMING OF SERINGAPATAM (1799)
Part 1 First Period, THE LOSS OF THE DIAMOND (1848), The events related by GABRIEL BETTEREDGE, house-steward in the service of JULIA, LADY VERINDER.
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Part 2 Second Period, THE DISCOVERY OF THE TRUTH (1848-1849), First Narrative, Contributed by MISS CLACK; niece of the late SIR JOHN VERINDER
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Part 3 Second Narrative, Contributed by MATHEW BRUFF, Solicitor, of Gray's Inn Square
Chapter 1
Chapter 2
Chapter 3
Part 4 Third Narrative, Contributed by FRANKLIN BLAKE
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Part 5 Fourth Narrative, Extracted from the Journal of EZRA JENNINGS
Part 6 Fifth Narrative, The Story Resumed by FRANKLIN BLAKE
Part 7 Sixth Narrative, Contributed by SERGEANT CUFF
I.
II.
III.
IV.
V.
Part 8 Seventh Narrative, In a Letter from MR. CANDY
Part 9 Eight Narrative, Contributed by GABRIEL BETTEREDGE
Epilogue, THE FINDING OF THE DIAMOND
The Woman in White
Wilkie Collins
Part 1 First Epoch
Chapter 1 The Story Begun by Walter Hartright (of Clement's Inn, Teacher of Drawing)
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
Chapter 2 The Story Continued by Vincent Gilmore (of Chancery Lane, Solicitor)
1.
2.
3.
4.
Chapter 3 The Story Continued by Marian Halcombe (in Extracts from her Diary)
1. Limmeridge House, Nov. 8.
2. Polesdean Lodge, Yorkshire
3. Limmeridge House
Part 2 Second Epoch
Chapter 1 The Story Continued by Marian Halcombe
1. Blackwater Park, Hampshire
2.
3.
4.
5.
6.
7.
8.
9.
10.
Chapter 2 The Story Continued by Frederick Fairlie, Esq., of Limmeridge House
Chapter 3 The Story Continued by Eliza Michelson (Housekeeper at Blackwater Park)
1.
2.
Chapter 4 The Story Continued in Several Narratives
1. The Narrative of Hester Pinhorn, Cook in the Service of Count Fosco
2. The Narrative of the Doctor
3. The Narrative of Jane Gould
4. The Narrative of the Tombstone
5. The Narrative of Walter Hartright
Part 3 Third Epoch
Chapter 1 The Story Continued by Walter Hartright
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
Chapter 2 The Story Continued by Mrs. Catherick
Chapter 3 The Story Continued by Walter Hartright
1.
2.
3.
4.
5.
6.
7.
Chapter 4 The Story Continued by Isidore, Ottavio, Baldassare Fosco
1. The Count's Narrative
Chapter 5 The Story Continued by Walter Hartright
1.
2.
3.
The Hound of the Baskervilles
Arthur Conan Doyle
Chapter 1 Mr. Sherlock Holmes
Chapter 2 The Curse of the Baskervilles
Chapter 3 The Problem
Chapter 4 Sir Henry Baskerville
Chapter 5 Three Broken Threads
Chapter 6 Baskerville Hall
Chapter 7 The Stapletons of Merripit House
Chapter 8 First Report of Dr. Watson
Chapter 9 The Light upon the Moor
Chapter 10 Extract from the Diary of Dr. Watson
Chapter 11 The Man on the Tor
Chapter 12 Death on the Moor
Chapter 13 Fixing the Nets
Chapter 14 The Hound of the Baskervilles
Chapter 15 A Retrospection
The Return of Sherlock Holmes
Arthur Conan Doyle
Chapter 1 The Adventure of the Empty House
Chapter 2 The Adventure of the Norwood Builder
Chapter 3 The Adventure of the Dancing Men
Chapter 4 The Adventure of the Solitary Cyclist
Chapter 5 The Adventure of the Priory School
Chapter 6 The Adventure of Black Peter
Chapter 7 The Adventure of Charles Augustus Milverton
Chapter 8 The Adventure of the Six Napoleons
Chapter 9 The Adventure of the Three Students
Chapter 10 The Adventure of the Golden Pince-Nez
Chapter 11 The Adventure of the Missing Three-Quarter
Chapter 12 The Adventure of the Abbey Grange
Chapter 13 The Adventure of the Second Stain
The Memoirs of Sherlock Holmes
Arthur Conan Doyle
Silver Blaze
The Yellow Face
The Stock-broker's Clerk
The 'Gloria Scott'
The Musgrave Ritual
The Reigate Puzzle
The Crooked Man
The Resident Patient
The Greek Interpreter
The Naval Treaty
The Final Problem
The Valley of Fear
Arthur Conan Doyle
Part 1 The Tragedy of Birlstone
Chapter 1 The Warning
Chapter 2 Sherlock Holmes Discourses
Chapter 3 The Tragedy of Birlstone
Chapter 4 Darkness
Chapter 5 The People of the Drama
Chapter 6 A Dawning Light
Chapter 7 The Solution
Part 2 The Scowrers
Chapter 1 The Man
Chapter 2 The Bodymaster
Chapter 3 Lodge 341, Vermissa
Chapter 4 The Valley of Fear
Chapter 5 The Darkest Hour
Chapter 6 Danger
Chapter 7 The Trapping of Birdy Edwards
Chapter 8 Epilogue
The Sign of the Four
Arthur Conan Doyle
Chapter 1 The Science of Deduction
Chapter 2 The Statement of the Case
Chapter 3 In Quest of a Solution
Chapter 4 The Story of the Bald-Headed Man
Chapter 5 The Tragedy of Pondicherry Lodge
Chapter 6 Sherlock Holmes Gives a Demonstration
Chapter 7 The Episode of the Barrel
Chapter 8 The Baker Street Irregulars
Chapter 9 A Break in the Chain
Chapter 10 The End of the Islander
Chapter 11 The Great Agra Treasure
Chapter 12 The Strange Story of Jonathan Small
The Adventures of Sherlock Holmes
Arthur Conan Doyle
Part 1 A SCANDAL IN BOHEMIA
Chapter 1
Chapter 2
Chapter 3
Part 2 THE RED-HEADED LEAGUE
Part 3 A CASE OF IDENTITY
Part 4 THE BOSCOMBE VALLEY MYSTERY
Part 5 THE FIVE ORANGE PIPS
Part 6 THE MAN WITH THE TWISTED LIP
Part 7 THE ADVENTURE OF THE BLUE CARBUNCLE
Part 8 THE ADVENTURE OF THE SPECKLED BAND
Part 9 THE ADVENTURE OF THE ENGINEER'S THUMB
Part 10 THE ADVENTURE OF THE NOBLE BACHELOR
Part 11 THE ADVENTURE OF THE BERYL CORONET
Part 12 THE ADVENTURE OF THE COPPER BEECHES
His Last Bow
Arthur Conan Doyle
Chapter 1 The Adventure of Wisteria Lodge
1. The Singular Experience of Mr. John Scott Eccles
2. The Tiger of San Pedro
Chapter 2 The Adventure of the Cardboard Box
Chapter 3 The Adventure of the Red Circle
Chapter 4 The Adventure of the Bruce-Partington Plans
Chapter 5 The Adventure of the Dying Detective
Chapter 6 The Disappearance of Lady Frances Carfax
Chapter 7 The Adventure of the Devil's Foot
Chapter 8 His Last Bow - The War Service of Sherlock Holmes
A Study in Scarlet
Arthur Conan Doyle
Part 1 Study in Scarlet
Chapter 1 Mr. Sherlock Holmes
Chapter 2 The Science of Deduction
Chapter 3 The Lauriston Garden Mystery
Chapter 4 What John Rance Had to Tell
Chapter 5 Our Advertisement Brings a Visitor
Chapter 6 Tobias Gregson Shows What He Can Do
Chapter 7 Light in the Darkness
Part 2 The Country of the Saints
Chapter 1 On the Great Alkali Plain
Chapter 2 The Flower of Utah
Chapter 3 John Ferrier Talks with the Prophet
Chapter 4 A Flight for Life
Chapter 5 The Avenging Angels
Chapter 6 A Continuation of the Reminiscences of John Watson, M.D.
Chapter 7 The Conclusion
The Spider
Hanns Heinz Ewers
The Spider
The Man Who Ended War
Hollis Godfrey
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Desperate Remedies
Thomas Hardy
PREFATORY NOTE
Chapter 1 THE EVENTS OF THIRTY YEARS
1. DECEMBER AND JANUARY, 1835-36
2. FROM 1843 TO 1861
3. OCTOBER THE TWELFTH, 1863
4. OCTOBER THE NINETEENTH
5. FROM OCTOBER THE NINETEENTH TO JULY THE NINTH
Chapter 2 THE EVENTS OF A FORTNIGHT
1. THE NINTH OF JULY
2. JULY THE ELEVENTH
3. FROM THE TWELFTH TO THE FIFTEENTH OF JULY
4. JULY THE TWENTY-FIRST
Chapter 3 THE EVENTS OF EIGHT DAYS
1. FROM THE TWENTY-SECOND TO THE TWENTY-SEVENTH OF JULY
2. JULY THE TWENTY-NINTH
Chapter 4 THE EVENTS OF ONE DAY
1. AUGUST THE FOURTH. TILL FOUR O'CLOCK
2. FOUR O'CLOCK
Chapter 5 THE EVENTS OF ONE DAY
1. AUGUST THE EIGHTH. MORNING AND AFTERNOON
2. EVENING
3. MIDNIGHT
Chapter 6 THE EVENTS OF TWELVE HOURS
1. AUGUST THE NINTH. ONE TO TWO O'CLOCK A.M.
2. TWO TO FIVE A.M.
3. HALF-PAST SEVEN TO TEN O'CLOCK A.M.
4. TEN TO TWELVE O'CLOCK A.M.
Chapter 7 THE EVENTS OF EIGHTEEN DAYS
1. AUGUST THE SEVENTEENTH
2. AUGUST THE TWENTIETH
3. AUGUST THE TWENTY-FIFTH
4. FROM AUGUST THE TWENTY-SIXTH TO SEPTEMBER THE FIRST
5. SEPTEMBER THE THIRD
Chapter 8 THE EVENTS OF EIGHTEEN DAYS
1. FROM THE THIRD TO THE NINETEENTH OF SEPTEMBER
2. SEPTEMBER THE TWENTIETH. THREE TO FOUR P.M.
3. FOUR TO FIVE P.M.
4. FIVE TO SIX P.M
5. SIX TO SEVEN P.M.
Chapter 9 THE EVENTS OF TEN WEEKS
1. FROM SEPTEMBER THE TWENTY-FIRST TO THE MIDDLE OF NOVEMBER
2. NOVEMBER THE EIGHTEENTH
3. NOVEMBER THE NINETEENTH. DAYBREAK
4. EIGHT TO TEN O'CLOCK A.M.
5. NOVEMBER THE TWENTIETH
6. NOVEMBER THE TWENTY-FIRST
7. FROM THE TWENTY-SECOND TO THE TWENTY-SEVENTH OF NOVEMBER
Chapter 10 X. THE EVENTS OF A DAY AND NIGHT
1. NOVEMBER THE TWENTY-EIGHTH. UNTIL TEN P.M.
2. FROM TEN TO HALF-PAST ELEVEN P.M.
3. HALF-PAST ELEVEN TO TWELVE P.M.
4. NINE TO ELEVEN P.M.
5. MIDNIGHT
6. HALF-PAST TWELVE TO ONE A.M.
7. ONE TO TWO A.M.
Chapter 11 THE EVENTS OF FIVE DAYS
1. NOVEMBER THE TWENTY-NINTH
2. FROM NOVEMBER THE TWENTY-NINTH TO DECEMBER THE SECOND
3. DECEMBER THE SECOND. AFTERNOON
4. DECEMBER THE THIRD
5. DECEMBER THE FOURTH
6. DECEMBER THE FIFTH
Chapter 12 THE EVENTS OF TEN MONTHS
1. DECEMBER TO APRIL
2. THE THIRD OF MAY
3. FROM THE FOURTH OF MAY TO THE TWENTY-FIRST OF JUNE
4. FROM THE TWENTY-FIRST OF JUNE TO THE END OF JULY
5. FROM THE FIRST TO THE TWENTY-SEVENTH OF AUGUST
6. THE TWENTY-SEVENTH OF AUGUST
7. THE EARLY PART OF SEPTEMBER
8. THE TENTH OF SEPTEMBER
9. THE ELEVENTH OF SEPTEMBER
Chapter 13 THE EVENTS OF ONE DAY
1. THE FIFTH OF JANUARY. BEFORE DAWN
2. MORNING
3. NOON
4. AFTERNOON
5. HALF-PAST TWO TO FIVE O'CLOCK P.M.
6. FIVE TO EIGHT O'CLOCK P.M.
7. A QUARTER-PAST EIGHT O'CLOCK P.M.
8. HALF-PAST EIGHT O'CLOCK P.M.
9. HALF-PAST EIGHT TO ELEVEN P.M.
10. ELEVEN O'CLOCK P.M.
Chapter 14 THE EVENTS OF FIVE WEEKS
1. FROM THE SIXTH TO THE THIRTEENTH OF JANUARY
2. FROM THE EIGHTEENTH TO THE END OF JANUARY
3. THE FIRST OF FEBRUARY
4. THE TWELFTH OF FEBRUARY
Chapter 15 THE EVENTS OF THREE WEEKS
1. FROM THE TWELFTH OF FEBRUARY TO THE SECOND OF MARCH
2. THE THIRD OF MARCH
3. THE FIFTH OF MARCH
Chapter 16 THE EVENTS OF ONE WEEK
1. MARCH THE SIXTH
2. MARCH THE TENTH
3. MARCH THE ELEVENTH
4. MARCH THE TWELFTH
Chapter 17 THE EVENTS OF ONE DAY
1. MARCH THE THIRTEENTH. THREE TO SIX O'CLOCK A.M.
2. EIGHT O'CLOCK A.M.
3. AFTERNOON
Chapter 18 THE EVENTS OF THREE DAYS
1. MARCH THE EIGHTEENTH
2. MARCH THE TWENTIETH. SIX TO NINE O'CLOCK P.M.
3. FROM NINE TO TEN O'CLOCK P.M.
Chapter 19 THE EVENTS OF A DAY AND NIGHT
1. MARCH THE TWENTY-FIRST. MORNING
2. AFTERNOON
3. FROM FIVE TO EIGHT O'CLOCK P.M.
4. FROM EIGHT TO ELEVEN O'CLOCK P.M.
5. FROM ELEVEN O'CLOCK TO MIDNIGHT
6. FROM MIDNIGHT TO HALF-PAST ONE A.M.
Chapter 20 THE EVENTS OF THREE HOURS
1. MARCH THE TWENTY-THIRD. MIDDAY
2. ONE TO TWO O'CLOCK P.M.
Chapter 21 THE EVENTS OF EIGHTEEN HOURS
1. MARCH THE TWENTY-NINTH. NOON
2. SIX O'CLOCK P.M.
3. SEVEN O'CLOCK P.M.
4. MARCH THE THIRTIETH. DAYBREAK
SEQUEL
The Seven Secrets
William Le Queux
Chapter 1 INTRODUCES AMBLER JEVONS.
Chapter 2 “A VERY UGLY SECRET.”
Chapter 3 THE COURTENAYS.
Chapter 4 A NIGHT CALL.
Chapter 5 DISCLOSES A MYSTERY.
Chapter 6 IN WHICH I MAKE A DISCOVERY.
Chapter 7 THE MAN SHORT AND HIS STORY.
Chapter 8 AMBLER JEVONS IS INQUISITIVE.
Chapter 9 SHADOWS.
Chapter 10 WHICH PUZZLES THE DOCTORS.
Chapter 11 CONCERNS MY PRIVATE AFFAIRS.
Chapter 12 I RECEIVE A VISITOR.
Chapter 13 MY LOVE.
Chapter 14 IS DISTINCTLY CURIOUS.
Chapter 15 I AM CALLED FOR CONSULTATION.
Chapter 16 REVEALS AN ASTOUNDING FACT.
Chapter 17 DISCUSSES SEVERAL MATTERS.
Chapter 18 WORDS OF THE DEAD.
Chapter 19 JEVONS GROWS MYSTERIOUS.
Chapter 20 MY NEW PATIENT.
Chapter 21 WOMAN’S WILES.
Chapter 22 A MESSAGE.
Chapter 23 THE MYSTERY OF MARY.
Chapter 24 ETHELWYNN IS SILENT.
Chapter 25 FORMS A BEWILDERING ENIGMA.
Chapter 26 AMBLER JEVONS IS BUSY.
Chapter 27 MR. LANE’S ROMANCE.
Chapter 28 “POOR MRS. COURTENAY.”
Chapter 29 THE POLICE ARE AT FAULT.
Chapter 30 SIR BERNARD’S DECISION.
Chapter 31 CONTAINS THE PLAIN TRUTH.
The Czar's Spy
William Le Queux
Chapter 1 HIS BRITANNIC MAJESTY'S SERVICE
Chapter 2 WHY THE SAFE WAS OPENED
Chapter 3 THE HOUSE "OVER THE WATER"
Chapter 4 IN WHICH THE MYSTERY INCREASES
Chapter 5 CONTAINS CERTAIN CONFIDENCES
Chapter 6 THE GATHERING OF THE CLOUDS
Chapter 7 CONTAINS A SURPRISE
Chapter 8 LIFE'S COUNTER-CLAIM
Chapter 9 STRANGE DISCLOSURES ARE MADE
Chapter 10 I SHOW MY HAND
Chapter 11 THE CASTLE OF THE TERROR
Chapter 12 "THE STRANGLER"
Chapter 13 A DOUBLE GAME AND ITS CONSEQUENCES
Chapter 14 HER HIGHNESS IS INQUISITIVE
Chapter 15 JUST OFF THE STRAND
Chapter 16 MARKED MEN
Chapter 17 THE TRUTH ABOUT THE "LOLA"
Chapter 18 CONTAINS ELMA'S STORY
CONCLUSION
The Confessions of Arsène Lupin
Maurice Leblanc
TWO HUNDRED THOUSAND FRANCS REWARD!...
THE WEDDING-RING
THE SIGN OF THE SHADOW
THE INFERNAL TRAP
THE RED SILK SCARF
SHADOWED BY DEATH
A TRAGEDY IN THE FOREST OF MORGUES
LUPIN'S MARRIAGE
THE INVISIBLE PRISONER
EDITH SWAN-NECK
The Phantom of the Opera
Gaston Leroux
Prologue
Chapter 1 Is it the Ghost?
Chapter 2 The New Margarita
Chapter 3 The Mysterious Reason
Chapter 4 Box Five
Chapter 5 The Enchanted Violin
Chapter 6 A Visit to Box Five
Chapter 7 Faust and What Followed
Chapter 8 The Mysterious Brougham
Chapter 9 At the Masked Ball
Chapter 10 Forget the Name of the Man's Voice
Chapter 11 Above the Trap-Doors
Chapter 12 Apollo's Lyre
Chapter 13 A Master-Stroke of the Trap-Door Lover
Chapter 14 The Singular Attitude of a Safety-Pin
Chapter 15 Christine! Christine!
Chapter 16 Mme. Giry's Astounding Revelations as to Her Personal Relations with the Opera Ghost
Chapter 17 The Safety-Pin Again
Chapter 18 The Commissary, The Viscount and the Persian
Chapter 19 The Viscount and the Persian
Chapter 20 In the Cellars of the Opera
Chapter 21 Interesting and Instructive Vicissitudes of a Persian in the Cellars of the Opera
Chapter 22 In the Torture Chamber
Chapter 23 The Tortures Begin
Chapter 24 "Barrels! ... Barrels! ... Any Barrels to Sell?"
Chapter 25 The Scorpion or the Grasshopper: Which?
Chapter 26 The End of the Ghost's Love Story
Epilogue
The Paris Opera House
The Experiences of Loveday Brooke, Lady Detective
Catherine Louisa Pirkis
Chapter 1 THE BLACK BAG LEFT ON A DOOR-STEP.
Chapter 2 THE MURDER AT TROYTE'S HILL.
Chapter 3 THE REDHILL SISTERHOOD.
Chapter 4 A PRINCESS'S VENGEANCE.
Chapter 5 DRAWN DAGGERS.
Chapter 6 THE GHOST OF FOUNTAIN LANE.
Chapter 7 MISSING!
The Black Cat
Edgar Allan Poe
The Murders in the Rue Morgue
Edgar Allan Poe
The Lady, or the Tiger?
Frank R. Stockton
THE LADY, OR THE TIGER?
Tom Sawyer, Detective
Mark Twain
Chapter 1 AN INVITATION FOR TOM AND HUCK
Chapter 2 JAKE DUNLAP
Chapter 3 A DIAMOND ROBBERY
Chapter 4 THE THREE SLEEPERS
Chapter 5 A TRAGEDY IN THE WOODS
Chapter 6 PLANS TO SECURE THE DIAMONDS
Chapter 7 A NIGHT'S VIGIL
Chapter 8 TALKING WITH THE GHOST
Chapter 9 FINDING OF JUBITER DUNLAP
Chapter 10 THE ARREST OF UNCLE SILAS
Chapter 11 TOM SAWYER DISCOVERS THE MURDERERS
An Antarctic Mystery
Jules Verne
Chapter 1 THE KERGUELEN ISLANDS
Chapter 2 THE SCHOONER HALBRANE
Chapter 3 CAPTAIN LEN GUY
Chapter 4 FROM THE KERGUELEN ISLES TO PRINCE EDWARD ISLAND
Chapter 5 EDGAR POE’S ROMANCE
Chapter 6 AN OCEAN WAIF
Chapter 7 TRISTAN D’ACUNHA
Chapter 8 BOUND FOR THE FALKLANDS
Chapter 9 FITTING OUT THE HALBRANE
Chapter 10 THE OUTSET OF THE ENTERPRISE
Chapter 11 FROM THE SANDWICH ISLANDS TO THE POLAR CIRCLE
Chapter 12 BETWEEN THE POLAR CIRCLE AND THE ICE WALL
Chapter 13 ALONG THE FRONT OF THE ICEBERGS
Chapter 14 A VOICE IN A DREAM
Chapter 15 BENNET ISLET
Chapter 16 TSALAL ISLAND
Chapter 17 AND PYM?
Chapter 18 A REVELATION
Chapter 19 LAND?
Chapter 20 “UNMERCIFUL DISASTER”
Chapter 21 AMID THE MISTS
Chapter 22 IN CAMP
Chapter 23 FOUND AT LAST
Chapter 24 ELEVEN YEARS IN A FEW PAGES
Chapter 25 “WE WERE THE FIRST.”
Chapter 26 A LITTLE REMNANT
The Technique of the Mystery Story
Carolyn Wells
Chapter 1 THE ETERNAL CURIOUS
1. Inquisition into the Curious is Universal
2. Early Riddles
3. The Passion for Solving Mysteries
Chapter 2 THE LITERATURE OF MYSTERY
1. The Rightful Place of the Mystery Story in Fiction
2. The Mystery Story Considered as Art
3. The Claims of Antagonists and Protagonists
Chapter 3 THE HISTORY OF MYSTERY
1. Ancient Mystery Tales
Chapter 4 GHOST STORIES
1. A Working Classification
2. The Ghost Story
3. Famous Ghost Stories
4. The Humorous Ghost Story
Chapter 5 RIDDLE STORIES
1. Some Notable Riddle Stories
2. The Nature of the Riddle Story and its Types
Chapter 6 DETECTIVE STORIES
1. What is a Detective Story
2. Rise of the Detective Story
3. The Detective-Fictive and Real
4. Fiction versus Fact
5. The Interest of the Detective Story
6. A Summing Up
Chapter 7 THE DETECTIVE
1. The Real Detective and His Work
2. Fictive Detective Material
3. The Transcendent Detective
4. Pioneer Detectives of Fiction
5. Recent Detectives of Fiction
6. The Scientific Detective of Fiction
7. The New Psychology in Detective Stories
8. Other Types
Chapter 8 DEDUCTION
1. Ratiocination in Early Detective Stories
2. Deduction Used in Every-day Life
3. The Analytical Element in the Detective Story
4. Poe's Detective—The Prototype
5. The Detective in the Novel
Chapter 9 APPLIED PRINCIPLES
1. The Detectives of Poe, Doyle, and Gaboriau
2. Individuality of these Detectives
3. The Real Sherlock Holmes
Chapter 10 THE RATIONALE OF RATIOCINATION
1. Sherlock Holmes' Method
2. Lecoq's Method
3. Other Methods
4. Holmes' Method Evaluated
5. The Inductive and the Deductive Methods
6. Two Striking Examples
Chapter 11 CLOSE OBSERVATION
1. The Search for Clues
2. The Bizarre in Crime
3. The Value of the Trivial
4. The Tricks of Imitation
Chapter 12 OTHER DETECTIVES OF FICTION
1. Some Original Traits
2. Two Unique Detectives
Chapter 13 PORTRAITS
1. Some Early Detective Portraits
2. Some More Modern Portraits
3. Some Less Known Portraits
4. Idiosyncrasies of Fictional Detectives
5. Favorite Phrases of Detectives
Chapter 14 DEVIOUS DEVICES
1. Snow and Rain
2. Some Particularly Hackneyed Devices
3. Devices Which Are Not Plausible
Chapter 15 FOOTPRINTS AND FINGERPRINTS
1. The Omnipresence of Footprints
2. Other Miraculous Discoveries
3. Remarkable Deductions from Footprints
4. Fingerprints and Teethmarks
Chapter 16 MORE DEVICES
1. Tabulated Clues
2. Worn-out Devices
3. The Use of Disguise
4. Other "Properties"
Chapter 17 FALSE DEVICES
1. The "Trace" Fallacy
2. The Destruction of Evidence
3. False Hypotheses
4. Errors of Fact and of Inference
5. The Use of Illustrative Plans
6. The Locked and Barred Room
Chapter 18 MURDER IN GENERAL
1. Murder Considered in the Abstract
2. Murder as a Fine Art
3. The Murder Theme
4. The Robbery Theme
5. The Mysterious Disappearance
Chapter 19 PERSONS IN THE STORY
1. The Victim
2. The Criminal
3. Faulty Portrayal of the Criminal
4. The Secondary Detective
5. The Suspects
6. The Heroine and the Element of Romance
7. The Police
8. The Supernumeraries
Chapter 20 THE HANDLING OF THE CRIME
Chapter 21 THE MOTIVE
Chapter 22 EVIDENCE
1. The Coroner
2. The Inquest
3. The Witnesses
4. Presentation of the Evidence
5. Circumstantial Evidence
6. Deductions from Evidence
7. Deductions from Clues
8. Evidence by Applied Psychology
9. Direct Observation
10. Exactness of Detail
11. Theories of Evidence
Chapter 23 STRUCTURE
1. Length
2. The Short-Story and the Novel
3. Singleness of Plot in the Detective Story
4. The Question of Length
5. The Narrator in the Detective Story
6. The Setting
Chapter 24 PLOTS
1. The Plot is the Story
2. Constructing the Plot
3. Maintaining Suspense
4. Planning the Story
5. The Question of Humor
6. Some Unique Devices
Chapter 25 FURTHER ADVICES
1. The Use of Coincidences
2. The Use of Melodrama
3. Dullness
4. Unique Plots and Their Solubility
5. Women as Writers of Detective Stories
Chapter 26 FINAL ADVICES
1. General Qualities of the Detective Story
2. Correctness
3. Names
4. Titles
Raspberry Jam
Carolyn Wells
Chapter 1 THE GREAT HANLON
Chapter 2 A TRIP TO NEWARK
Chapter 3 THE STUNT
Chapter 4 THE EMBURYS
Chapter 5 THE EXPLANATION
Chapter 6 A SLAMMED DOOR
Chapter 7 A VISION
Chapter 8 THE EXAMINER
Chapter 9 HAMLET
Chapter 10 A CONFESSION
Chapter 11 FIFI
Chapter 12 IN HANLON'S OFFICE
Chapter 13 FLEMING STONE
Chapter 14 THE FIVE SENSES
Chapter 15 MARIGNY THE MEDIUM
Chapter 16 FIBSY'S BUSY DAY
Chapter 17 HANLON'S AMBITION
Chapter 18 THE GUILTY ONE
The Master Criminal
Fred Merrick White
Part 1 The Head Of The Caesars (Jun 1897)
Chapter 1
Chapter 2
Chapter 3
Part 2 At Windsor (Jul 1897)
Chapter 1
Chapter 2
Chapter 3
Part 3 The Silverpool Cup (Aug 1897)
Chapter 1
Chapter 2
Chapter 3
Part 4 The "Morrison Raid" Indemnity (Sep 1897)
Chapter 1
Chapter 2
Part 5 Cleopatra's Robe (Oct 1897)
Chapter 1
Chapter 2
Part 6 The Rosy Cross (Nov 1897)
Chapter 1
Chapter 2
Part 7 The Death Of The President (Dec 1897)
Chapter 1
Chapter 2
Part 8 The Cradlestone Oil Mills (Jan 1898)
Chapter 1
Chapter 2
Part 9 Redburn Castle (Feb 1898)
Chapter 1
Chapter 2
Part 10 "Crysoline Limited" (Mar 1898)
Chapter 1
Chapter 2
Part 11 The Loss Of The "Eastern Empress" (Apr 1898)
Chapter 1
Chapter 2
Chapter 3
Part 12 General Marcos (May 1898)
Chapter 1
Chapter 2
cover
Table des matières
In a Grove
Ryūnosuke Akutagawa
The Testimony of a Woodcutter Questioned by a High Police Commissioner
The Testimony of a Traveling Buddhist Priest Questioned by a High Police Commissioner
The Testimony of a Policeman Questioned by a High Police Commissioner
The Testimony of an Old Woman Questioned by a High Police Commissioner
Tajomaru's Confession
The Repentance of a Woman Who Has Come to Kiyomizu Temple
The Story of the Murdered Man, as Told Through a Medium

In a Grove

Ryūnosuke Akutagawa

(Translator: Takashi Kojima)

Published: 1922
Categorie(s): Fiction, Mystery & Detective, Short Stories

The Testimony of a Woodcutter Questioned by a High Police Commissioner

Yes, sir. Certainly, it was I who found the body. This morning, as usual, I went to cut my daily quota of cedars, when I found the body in a grove in a hollow in the mountains. The exact location? About 150 meters off the Yamashina stage road. It's an out-of-the-way grove of bamboo and cedars.

The body was lying flat on its back dressed in a bluish silk kimono and a wrinkled head-dress of the Kyoto style. A single sword-stroke had pierced the breast. The fallen bamboo-blades around it were stained with bloody blossoms. No, the blood was no longer running. The wound had dried up, I believe. And also, a gad-fly was stuck fast there, hardly noticing my footsteps.

You ask me if I saw a sword or any such thing?

No, nothing, sir. I found only a rope at the root of a cedar near by. And … well, in addition to a rope, I found a comb. That was all. Apparently he must have made a battle of it before he was murdered, because the grass and fallen bamboo-blades had been trampled down all around.

"A horse was near by?"

No, sir. It's hard enough for a man to enter, let alone a horse.

The Testimony of a Traveling Buddhist Priest Questioned by a High Police Commissioner

The time? Certainly, it was about noon yesterday, sir. The unfortunate man was on the road from Sekiyama to Yamashina. He was walking toward Sekiyama with a woman accompanying him on horseback, who I have since learned was his wife. A scarf hanging from her head hid her face from view. All I saw was the color of her clothes, a lilac-colored suit. Her horse was a sorrel with a fine mane. The lady's height? Oh, about four feet five inches. Since I am a Buddhist priest, I took little notice about her details. Well, the man was armed with a sword as well as a bow and arrows. And I remember that he carried some twenty odd arrows in his quiver.

Little did I expect that he would meet such a fate. Truly human life is as evanescent as the morning dew or a flash of lightning. My words are inadequate to express my sympathy for him.

The Testimony of a Policeman Questioned by a High Police Commissioner

The man that I arrested? He is a notorious brigand called Tajomaru. When I arrested him, he had fallen off his horse. He was groaning on the bridge at Awataguchi. The time? It was in the early hours of last night. For the record, I might say that the other day I tried to arrest him, but unfortunately he escaped. He was wearing a dark blue silk kimono and a large plain sword. And, as you see, he got a bow and arrows somewhere. You say that this bow and these arrows look like the ones owned by the dead man? Then Tajomaru must be the murderer. The bow wound with leather strips, the black lacquered quiver, the seventeen arrows with hawk feathers—these were all in his possession I believe. Yes, Sir, the horse is, as you say, a sorrel with a fine mane. A little beyond the stone bridge I found the horse grazing by the roadside, with his long rein dangling. Surely there is some providence in his having been thrown by the horse.

Of all the robbers prowling around Kyoto, this Tajomaru has given the most grief to the women in town. Last autumn a wife who came to the mountain back of the Pindora of the Toribe Temple, presumably to pay a visit, was murdered, along with a girl. It has been suspected that it was his doing. If this criminal murdered the man, you cannot tell what he may have done with the man's wife. May it please your honor to look into this problem as well.

The Testimony of an Old Woman Questioned by a High Police Commissioner

Yes, sir, that corpse is the man who married my daughter. He does not come from Kyoto. He was a samurai in the town of Kokufu in the province of Wakasa. His name was Kanazawa no Takehiko, and his age was twenty-six. He was of a gentle disposition, so I am sure he did nothing to provoke the anger of others.

My daughter? Her name is Masago, and her age is nineteen. She is a spirited, fun-loving girl, but I am sure she has never known any man except Takehiko. She has a small, oval, dark-complected face with a mole at the corner of her left eye.

Yesterday Takehiko left for Wakasa with my daughter. What bad luck it is that things should have come to such a sad end! What has become of my daughter? I am resigned to giving up my son-in-law as lost, but the fate of my daughter worries me sick. For heaven's sake leave no stone unturned to find her. I hate that robber Tajomaru, or whatever his name is. Not only my son-in-law, but my daughter … (Her later words were drowned in tears.)

Tajomaru's Confession

I killed him, but not her. Where's she gone? I can't tell. Oh, wait a minute. No torture can make me confess what I don't know. Now things have come to such a head, I won't keep anything from you.

Yesterday a little past noon I met that couple. Just then a puff of wind blew, and raised her hanging scarf, so that I caught a glimpse of her face. Instantly it was again covered from my view. That may have been one reason; she looked like a Bodhisattva. At that moment I made up my mind to capture her even if I had to kill her man.

Why? To me killing isn't a matter of such great consequence as you might think. When a woman is captured, her man has to be killed anyway. In killing, I use the sword I wear at my side. Am I the only one who kills people? You, you don't use your swords. You kill people with your power, with your money. Sometimes you kill them on the pretext of working for their good. It's true they don't bleed. They are in the best of health, but all the same you've killed them. It's hard to say who is a greater sinner, you or me. (An ironical smile.)

But it would be good if I could capture a woman without killing her man. So, I made up my mind to capture her, and do my best not to kill him. But it's out of the question on the Yamashina stage road. So I managed to lure the couple into the mountains.

It was quite easy. I became their traveling companion, and I told them there was an old mound in the mountain over there, and that I had dug it open and found many mirrors and swords. I went on to tell them I'd buried the things in a grove behind the mountain, and that I'd like to sell them at a low price to anyone who would care to have them. Then … you see, isn't greed terrible? He was beginning to be moved by my talk before he knew it. In less than half an hour they were driving their horse toward the mountain with me.

When he came in front of the grove, I told them that the treasures were buried in it, and I asked them to come and see. The man had no objection— he was blinded by greed. The woman said she would wait on horseback. It was natural for her to say so, at the sight of a thick grove. To tell you the truth, my plan worked just as I wished, so I went into the grove with him, leaving her behind alone.

The grove is only bamboo for some distance. About fifty yards ahead there's a rather open clump of cedars. It was a convenient spot for my purpose. Pushing my way through the grove, I told him a plausible lie that the treasures were buried under the cedars. When I told him this, he pushed his laborious way toward the slender cedar visible through the grove. After a while the bamboo thinned out, and we came to where a number of cedars grew in a row. As soon as we got there, I seized him from behind. Because he was a trained, sword-bearing warrior, he was quite strong, but he was taken by surprise, so there was no help for him. I soon tied him up to the root of a cedar. Where did I get a rope? Thank heaven, being a robber, I had a rope with me, since I might have to scale a wall at any moment. Of course it was easy to stop him from calling out by gagging his mouth with fallen bamboo leaves.

When I disposed of him, I went to his woman and asked her to come and see him, because he seemed to have been suddenly taken sick. It's needless to say that this plan also worked well. The woman, her sedge hat off, came into the depths of the grove, where I led her by the hand. The instant she caught sight of her husband, she drew a small sword. I've never seen a woman of such violent temper. If I'd been off guard, I'd have got a thrust in my side. I dodged, but she kept on slashing at me. She might have wounded me deeply or killed me. But I'm Tajomaru. I managed to strike down her small sword without drawing my own. The most spirited woman is defenseless without a weapon. At least I could satisfy my desire for her without taking her husband's life.

Yes … without taking his life. I had no wish to kill him. I was about to run away from the grove, leaving the woman behind in tears, when she frantically clung to my arm. In broken fragments of words, she asked that either her husband or I die. She said it was more trying than death to have her shame known to two men. She gasped out that she wanted to be the wife of whichever survived. Then a furious desire to kill him seized me. (Gloomy excitement.)

Telling you in this way, no doubt I seem a crueler man than you. But that's because you didn't see her face. Especially her burning eyes at that moment. As I saw her eye to eye, I wanted to make her my wife even if I were to be struck by lightning. I wanted to make her my wife … this single desire filled my mind. This was not only lust, as you might think. At that time if I'd had no other desire than lust, I'd surely not have minded knocking her down and running away. Then I wouldn't have stained my sword with his blood. But the moment I gazed at her face in the dark grove, I decided not to leave there without killing him.

But I didn't like to resort to unfair means to kill him. I untied him and told him to cross swords with me. (The rope that was found at the root of the cedar is the rope I dropped at the time.) Furious with anger, he drew his thick sword. And quick as thought, he sprang at me ferociously, without speaking a word. I needn't tell you how our fight turned out. The twenty-third stroke … please remember this. I'm impressed with this fact still. Nobody under the sun has ever clashed swords with me twenty strokes. (A cheerful smile.)

When he fell, I turned toward her, lowering my blood-stained sword. But to my great astonishment she was gone. I wondered to where she had run away. I looked for her in the clump of cedars. I listened, but heard only a groaning sound from the throat of the dying man.

As soon as we started to cross swords, she may have run away through the grove to call for help. When I thought of that, I decided it was a matter of life and death to me. So, robbing him of his sword, and bow and arrows, I ran out to the mountain road. There I found her horse still grazing quietly. It would be a mere waste of words to tell you the later details, but before I entered town I had already parted with the sword. That's all my confession. I know that my head will be hung in chains anyway, so put me down for the maximum penalty. (A defiant attitude.)

The Repentance of a Woman Who Has Come to Kiyomizu Temple

That man in the blue silk kimono, after forcing me to yield to him, laughed mockingly as he looked at my bound husband. How horrified my husband must have been! But no matter how hard he struggled in agony, the rope cut into him all the more tightly. In spite of myself I ran stumblingly toward his side. Or rather I tried to run toward him, but the man instantly knocked me down. Just at that moment I saw an indescribable light in my husband's eyes. Something beyond expression … his eyes make me shudder even now. That instantaneous look of my husband, who couldn't speak a word, told me all his heart. The flash in his eyes was neither anger nor sorrow … only a cold light, a look of loathing. More struck by the look in his eyes than by the blow of the thief, I called out in spite of myself and fell unconscious.

In the course of time I came to, and found that the man in blue silk was gone. I saw only my husband still bound to the root of the cedar. I raised myself from the bamboo-blades with difficulty, and looked into his face; but the expression in his eyes was just the same as before.

Beneath the cold contempt in his eyes, there was hatred. Shame, grief, and anger … I don't know how to express my heart at that time. Reeling to my feet, I went up to my husband.

"Takejiro," I said to him, "since things have come to this pass, I cannot live with you. I'm determined to die … but you must die, too. You saw my shame. I can't leave you alive as you are."

This was all I could say. Still he went on gazing at me with loathing and contempt. My heart breaking, I looked for his sword. It must have been taken by the robber. Neither his sword nor his bow and arrows were to be seen in the grove. But fortunately my small sword was lying at my feet. Raising it over head, once more I said, "Now give me your life. I'll follow you right away."

When he heard these words, he moved his lips with difficulty. Since his mouth was stuffed with leaves, of course his voice could not be heard at all. But at a glance I understood his words. Despising me, his look said only, "Kill me." Neither conscious nor unconscious, I stabbed the small sword through the lilac-colored kimono into his breast.

Again at this time I must have fainted. By the time I managed to look up, he had already breathed his last—still in bonds. A streak of sinking sunlight streamed through the clump of cedars and bamboos, and shone on his pale face. Gulping down my sobs, I untied the rope from his dead body. And … and what has become of me? Only that, since I have no more strength to tell you. Anyway, I hadn't the strength to die. I stabbed my own throat with the small sword, I threw myself into a pond at the foot of the mountain, and I tried to kill myself in many ways. Unable to end my life, I am still living in dishonor. (A lonely smile.) Worthless as I am, I must have been forsaken even by the most merciful Kwannon. I killed my own husband. I was violated by the robber. Whatever can I do? Whatever can I … I … (Gradually, violent sobbing.)

The Story of the Murdered Man, as Told Through a Medium

After violating my wife, the robber, sitting there, began to speak comforting words to her. Of course I couldn't speak. My whole body was tied fast to the root of a cedar. But meanwhile I winked at her many times, as much as to say "Don't believe the robber." I wanted to convey some such meaning to her. But my wife, sitting dejectedly on the bamboo leaves, was looking hard at her lap. To all appearance, she was listening to his words. I was agonized by jealousy. In the meantime the robber went on with his clever talk, from one subject to another. The robber finally made his bold brazen proposal. "Once your virtue is stained, you won't get along well with your husband, so won't you be my wife instead? It's my love for you that made me be violent toward you."

While the criminal talked, my wife raised her face as if in a trance. She had never looked so beautiful as at that moment. What did my beautiful wife say in answer to him while I was sitting bound there? I am lost in space, but I have never thought of her answer without burning with anger and jealousy. Truly she said, … "Then take me away with you wherever you go."

This is not the whole of her sin. If that were all, I would not be tormented so much in the dark. When she was going out of the grove as if in a dream, her hand in the robber's, she suddenly turned pale, and pointed at me tied to the root of the cedar, and said, "Kill him! I cannot marry you as long as he lives." "Kill him!" she cried many times, as if she had gone crazy. Even now these words threaten to blow me headlong into the bottomless abyss of darkness. Has such a hateful thing come out of a human mouth ever before? Have such cursed words ever struck a human ear, even once? Even once such a … (A sudden cry of scorn.) At these words the robber himself turned pale. "Kill him," she cried, clinging to his arms. Looking hard at her, he answered neither yes nor no … but hardly had I thought about his answer before she had been knocked down into the bamboo leaves. (Again a cry of scorn.) Quietly folding his arms, he looked at me and said, "What will you do with her? Kill her or save her? You have only to nod. Kill her?" For these words alone I would like to pardon his crime.

While I hesitated, she shrieked and ran into the depths of the grove. The robber instantly snatched at her, but he failed even to grasp her sleeve.

After she ran away, he took up my sword, and my bow and arrows. With a single stroke he cut one of my bonds. I remember his mumbling, "My fate is next." Then he disappeared from the grove. All was silent after that. No, I heard someone crying. Untying the rest of my bonds, I listened carefully, and I noticed that it was my own crying. (Long silence.)

I raised my exhausted body from the foot of the cedar. In front of me there was shining the small sword which my wife had dropped. I took it up and stabbed it into my breast. A bloody lump rose to my mouth, but I didn't feel any pain. When my breast grew cold, everything was as silent as the dead in their graves. What profound silence! Not a single bird-note was heard in the sky over this grave in the hollow of the mountains. Only a lonely light lingered on the cedars and mountains. By and by the light gradually grew fainter, till the cedars and bamboo were lost to view. Lying there, I was enveloped in deep silence.

Then someone crept up to me. I tried to see who it was. But darkness had already been gathering round me. Someone … that someone drew the small sword softly out of my breast in its invisible hand. At the same time once more blood flowed into my mouth. And once and for all I sank down into the darkness of space.

Table des matières
The Innocence of Father Brown
Gilbert Keith Chesterton
The Blue Cross
The Secret Garden
The Queer Feet
The Flying Stars
The Invisible Man
The Honour of Israel Gow
The Wrong Shape
The Sins of Prince Saradine
The Hammer of God
The Eye of Apollo
The Sign of the Broken Sword
The Three Tools of Death

The Innocence of Father Brown

Gilbert Keith Chesterton


Published: 1911
Categorie(s): Fiction, Mystery & Detective, Short Stories

The Blue Cross

Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous—nor wished to be. There was nothing notable about him, except a slight contrast between the holiday gaiety of his clothes and the official gravity of his face. His clothes included a slight, pale grey jacket, a white waistcoat, and a silver straw hat with a grey-blue ribbon. His lean face was dark by contrast, and ended in a curt black beard that looked Spanish and suggested an Elizabethan ruff. He was smoking a cigarette with the seriousness of an idler. There was nothing about him to indicate the fact that the grey jacket covered a loaded revolver, that the white waistcoat covered a police card, or that the straw hat covered one of the most powerful intellects in Europe. For this was Valentin himself, the head of the Paris police and the most famous investigator of the world; and he was coming from Brussels to London to make the greatest arrest of the century.

Flambeau was in England. The police of three countries had tracked the great criminal at last from Ghent to Brussels, from Brussels to the Hook of Holland; and it was conjectured that he would take some advantage of the unfamiliarity and confusion of the Eucharistic Congress, then taking place in London. Probably he would travel as some minor clerk or secretary connected with it; but, of course, Valentin could not be certain; nobody could be certain about Flambeau.

It is many years now since this colossus of crime suddenly ceased keeping the world in a turmoil; and when he ceased, as they said after the death of Roland, there was a great quiet upon the earth. But in his best days (I mean, of course, his worst) Flambeau was a figure as statuesque and international as the Kaiser. Almost every morning the daily paper announced that he had escaped the consequences of one extraordinary crime by committing another. He was a Gascon of gigantic stature and bodily daring; and the wildest tales were told of his outbursts of athletic humour; how he turned the juge d'instruction upside down and stood him on his head, "to clear his mind"; how he ran down the Rue de Rivoli with a policeman under each arm. It is due to him to say that his fantastic physical strength was generally employed in such bloodless though undignified scenes; his real crimes were chiefly those of ingenious and wholesale robbery. But each of his thefts was almost a new sin, and would make a story by itself. It was he who ran the great Tyrolean Dairy Company in London, with no dairies, no cows, no carts, no milk, but with some thousand subscribers. These he served by the simple operation of moving the little milk cans outside people's doors to the doors of his own customers. It was he who had kept up an unaccountable and close correspondence with a young lady whose whole letter-bag was intercepted, by the extraordinary trick of photographing his messages infinitesimally small upon the slides of a microscope. A sweeping simplicity, however, marked many of his experiments. It is said that he once repainted all the numbers in a street in the dead of night merely to divert one traveller into a trap. It is quite certain that he invented a portable pillar-box, which he put up at corners in quiet suburbs on the chance of strangers dropping postal orders into it. Lastly, he was known to be a startling acrobat; despite his huge figure, he could leap like a grasshopper and melt into the tree-tops like a monkey. Hence the great Valentin, when he set out to find Flambeau, was perfectly aware that his adventures would not end when he had found him.

But how was he to find him? On this the great Valentin's ideas were still in process of settlement.