Coventry Patmore

The Angel in the House

Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664155528

Table of Contents


INTRODUCTION.
Book I.
THE PROLOGUE.
CANTO I The Cathedral Close.
CANTO II. Mary And Mildred.
CANTO III. Honoria
CANTO IV. The Morning Call.
CANTO V. The Violets.
CANTO VI. The Dean.
CANTO VII. Ætna and the Moon.
CANTO VIII. Sarum Plain.
CANTO IX. Sahara.
CANTO X. Church to Church.
CANTO XI. The Dance.
CANTO XII. The Abdication.
Book II.
THE PROLOGUE.
CANTO I. Accepted.
CANTO II. The Course of True Love.
CANTO III. The Country Ball.
CANTO IV. Love in Idleness.
CANTO V. The Queen’s Room.
CANTO VI. The Love-Letters.
CANTO VII. The Revulsion.
CANTO VIII. The Koh-i-noor.
CANTO IX. The Friends.
CANTO X. The Epitaph.
CANTO XI. The Wedding.
CANTO XII. Husband and Wife.

INTRODUCTION.

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There could be but one answer to the suggestion of Mr. Coventry Patmore that his “Angel in the House” might usefully have a place in this “National Library.” The suggestion was made with the belief that wide and cheap diffusion would not take from the value of a copyright library edition, while the best use of writing is fulfilled by the spreading of verse dedicated to the sacred love of home. The two parts of the Poem appeared in 1854 and 1856, were afterwards elaborately revised, and have since obtained a permanent place among the Home Books of the English People. Our readers will join, surely, in thanks to the author for the present he has made us.

H. M.

Book I.

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THE PROLOGUE.

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1

Mine is no horse with wings, to gain
The region of the spheral chime;
He does but drag a rumbling wain,
Cheer’d by the coupled bells of rhyme;
And if at Fame’s bewitching note
My homely Pegasus pricks an ear,
The world’s cart-collar hugs his throat,
And he’s too wise to prance or rear.’

2

Thus ever answer’d Vaughan his Wife,
Who, more than he, desired his fame;
But, in his heart, his thoughts were rife
How for her sake to earn a name.
With bays poetic three times crown’d,
And other college honours won,
He, if he chose, might be renown’d,
He had but little doubt, she none;
And in a loftier phrase he talk’d
With her, upon their Wedding-Day,
(The eighth), while through the fields they walk’d,
Their children shouting by the way.

3

‘Not careless of the gift of song,
Nor out of love with noble fame,
I, meditating much and long
What I should sing, how win a name,
Considering well what theme unsung,
What reason worth the cost of rhyme,
Remains to loose the poet’s tongue
In these last days, the dregs of time,
Learn that to me, though born so late,
There does, beyond desert, befall
(May my great fortune make me great!)
The first of themes, sung last of all.
In green and undiscover’d ground,
Yet near where many others sing,
I have the very well-head found
Whence gushes the Pierian Spring.’

4

Then she: ‘What is it, Dear? The Life
Of Arthur, or Jerusalem’s Fall?’
‘Neither: your gentle self, my Wife,
And love, that grows from one to all.
And if I faithfully proclaim
Of these the exceeding worthiness,
Surely the sweetest wreath of Fame
Shall, to your hope, my brows caress;
And if, by virtue of my choice
Of this, the most heart-touching theme
That ever tuned a poet’s voice,
I live, as I am bold to dream,
To be delight to many days,
And into silence only cease
When those are still, who shared their bays
With Laura and with Beatrice,
Imagine, Love, how learned men
Will deep-conceiv’d devices find,
Beyond my purpose and my ken,
An ancient bard of simple mind.
You, Sweet, his Mistress, Wife, and Muse,
Were you for mortal woman meant?
Your praises give a hundred clues
To mythological intent!
And, severing thus the truth from trope,
In you the Commentators see
Outlines occult of abstract scope,
A future for philosophy!
Your arm’s on mine! these are the meads
In which we pass our living days;
There Avon runs, now hid with reeds,
Now brightly brimming pebbly bays;
Those are our children’s songs that come
With bells and bleatings of the sheep;
And there, in yonder English home,
We thrive on mortal food and sleep!’
She laugh’d. How proud she always was
To feel how proud he was of her!
But he had grown distraught, because
The Muse’s mood began to stir.

5

His purpose with performance crown’d,
He to his well-pleased Wife rehears’d,
When next their Wedding-Day came round,
His leisure’s labour, ‘Book the First.’

CANTO I
The Cathedral Close.

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PRELUDES.

I.
The Impossibility.

Lo, love’s obey’d by all. ’Tis right
That all should know what they obey,
Lest erring conscience damp delight,
And folly laugh our joys away.
Thou Primal Love, who grantest wings
And voices to the woodland birds,
Grant me the power of saying things
Too simple and too sweet for words!

II.
Love’s Really.

I walk, I trust, with open eyes;
I’ve travell’d half my worldly course;
And in the way behind me lies
Much vanity and some remorse;
I’ve lived to feel how pride may part
Spirits, tho’ match’d like hand and glove;
I’ve blush’d for love’s abode, the heart;
But have not disbelieved in love;
Nor unto love, sole mortal thing
Of worth immortal, done the wrong
To count it, with the rest that sing,
Unworthy of a serious song;
And love is my reward; for now,
When most of dead’ning time complain,
The myrtle blooms upon my brow,
Its odour quickens all my brain.

III.
The Poet’s Confidence.

The richest realm of all the earth
Is counted still a heathen land:
Lo, I, like Joshua, now go forth
To give it into Israel’s hand.
I will not hearken blame or praise;
For so should I dishonour do
To that sweet Power by which these Lays
Alone are lovely, good, and true;
Nor credence to the world’s cries give,
Which ever preach and still prevent
Pure passion’s high prerogative
To make, not follow, precedent.
From love’s abysmal ether rare
If I to men have here made known
New truths, they, like new stars, were there
Before, though not yet written down.
Moving but as the feelings move,
I run, or loiter with delight,
Or pause to mark where gentle Love
Persuades the soul from height to height.
Yet, know ye, though my words are gay
As David’s dance, which Michal scorn’d.
If kindly you receive the Lay,
You shall be sweetly help’d and warn’d.

THE CATHEDRAL CLOSE.

1

Once more I came to Sarum Close,
With joy half memory, half desire,
And breathed the sunny wind that rose
And blew the shadows o’er the Spire,
And toss’d the lilac’s scented plumes,
And sway’d the chestnut’s thousand cones,
And fill’d my nostrils with perfumes,
And shaped the clouds in waifs and zones,
And wafted down the serious strain
Of Sarum bells, when, true to time,
I reach’d the Dean’s, with heart and brain
That trembled to the trembling chime.

2

’Twas half my home, six years ago.
The six years had not alter’d it:
Red-brick and ashlar, long and low,
With dormers and with oriels lit.
Geranium, lychnis, rose array’d
The windows, all wide open thrown;
And some one in the Study play’d
The Wedding-March of Mendelssohn.
And there it was I last took leave:
’Twas Christmas: I remember’d now
The cruel girls, who feign’d to grieve,
Took down the evergreens; and how
The holly into blazes woke
The fire, lighting the large, low room,
A dim, rich lustre of old oak
And crimson velvet’s glowing gloom.
No change had touch’d Dean Churchill: kind,
By widowhood more than winters bent,
And settled in a cheerful mind,
As still forecasting heaven’s content.
Well might his thoughts be fix’d on high,
Now she was there! Within her face
Humility and dignity
Were met in a most sweet embrace.
She seem’d expressly sent below
To teach our erring minds to see
The rhythmic change of time’s swift flow
As part of still eternity.
Her life, all honour, observed, with awe
Which cross experience could not mar,
The fiction of the Christian law
That all men honourable are;
And so her smile at once conferr’d
High flattery and benign reproof;
And I, a rude boy, strangely stirr’d,
Grew courtly in my own behoof.
The years, so far from doing her wrong,
Anointed her with gracious balm,
And made her brows more and more young
With wreaths of amaranth and palm.

4

Was this her eldest, Honor; prude,
Who would not let me pull the swing;
Who, kiss’d at Christmas, call’d me rude,
And, sobbing low, refused to sing?
How changed! In shape no slender Grace,
But Venus; milder than the dove;
Her mother’s air; her Norman face;
Her large sweet eyes, clear lakes of love.
Mary I knew. In former time
Ailing and pale, she thought that bliss
Was only for a better clime,
And, heavenly overmuch, scorn’d this.
I, rash with theories of the right,
Which stretch’d the tether of my Creed,
But did not break it, held delight
Half discipline. We disagreed.
She told the Dean I wanted grace.
Now she was kindest of the three,
And soft wild roses deck’d her face.
And, what, was this my Mildred, she
To herself and all a sweet surprise?
My Pet, who romp’d and roll’d a hoop?
I wonder’d where those daisy eyes
Had found their touching curve and droop.

5

Unmannerly times! But now we sat
Stranger than strangers; till I caught
And answer’d Mildred’s smile; and that
Spread to the rest, and freedom brought.
The Dean talk’d little, looking on,
Of three such daughters justly vain.
What letters they had had from Bonn,
Said Mildred, and what plums from Spain!
By Honor I was kindly task’d
To excuse my never coming down
From Cambridge; Mary smiled and ask’d
Were Kant and Goethe yet outgrown?
And, pleased, we talk’d the old days o’er;
And, parting, I for pleasure sigh’d.
To be there as a friend, (since more),
Seem’d then, seems still, excuse for pride;
For something that abode endued
With temple-like repose, an air
Of life’s kind purposes pursued
With order’d freedom sweet and fair.
A tent pitch’d in a world not right
It seem’d, whose inmates, every one,
On tranquil faces bore the light
Of duties beautifully done,
And humbly, though they had few peers,
Kept their own laws, which seem’d to be
The fair sum of six thousand years’
Traditions of civility.

CANTO II.
Mary And Mildred.

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PRELUDES.

I.
The Paragon.

When I behold the skies aloft
Passing the pageantry of dreams,
The cloud whose bosom, cygnet-soft,
A couch for nuptial Juno seems,
The ocean broad, the mountains bright,
The shadowy vales with feeding herds,
I from my lyre the music smite,
Nor want for justly matching words.
All forces of the sea and air,
All interests of hill and plain,
I so can sing, in seasons fair,
That who hath felt may feel again.
Elated oft by such free songs,
I think with utterance free to raise
That hymn for which the whole world longs,
A worthy hymn in woman’s praise;
A hymn bright-noted like a bird’s,
Arousing these song-sleepy times
With rhapsodies of perfect words,
Ruled by returning kiss of rhymes.
But when I look on her and hope
To tell with joy what I admire,
My thoughts lie cramp’d in narrow scope,
Or in the feeble birth expire;
No mystery of well-woven speech,
No simplest phrase of tenderest fall,
No liken’d excellence can reach
Her, thee most excellent of all,
The best half of creation’s best,
Its heart to feel, its eye to see,
The crown and complex of the rest,
Its aim and its epitome.
Nay, might I utter my conceit,
’Twere after all a vulgar song,
For she’s so simply, subtly sweet,
My deepest rapture does her wrong.
Yet is it now my chosen task
To sing her worth as Maid and Wife;
Nor happier post than this I ask,
To live her laureate all my life.
On wings of love uplifted free,
And by her gentleness made great,
I’ll teach how noble man should be
To match with such a lovely mate;
And then in her may move the more
The woman’s wish to be desired,
(By praise increased), till both shall soar,
With blissful emulations fired.
And, as geranium, pink, or rose
Is thrice itself through power of art,
So may my happy skill disclose
New fairness even in her fair heart;
Until that churl shall nowhere be
Who bends not, awed, before the throne
Of her affecting majesty,
So meek, so far unlike our own;
Until (for who may hope too much
From her who wields the powers of love?)
Our lifted lives at last shall touch
That happy goal to which they move;
Until we find, as darkness rolls
Away, and evil mists dissolve,
That nuptial contrasts are the poles
On which the heavenly spheres revolve.

II.
Love at Large.

Whene’er I come where ladies are,
How sad soever I was before,
Though like a ship frost-bound and far
Withheld in ice from the ocean’s roar,
Third-winter’d in that dreadful dock,
With stiffen’d cordage, sails decay’d,
And crew that care for calm and shock
Alike, too dull to be dismay’d,
Yet, if I come where ladies are,
How sad soever I was before,
Then is my sadness banish’d far,
And I am like that ship no more;
Or like that ship if the ice-field splits,
Burst by the sudden polar Spring,
And all thank God with their warming wits,
And kiss each other and dance and sing,
And hoist fresh sails, that make the breeze
Blow them along the liquid sea,
Out of the North, where life did freeze,
Into the haven where they would be.

III.
Love and Duty.

Anne lived so truly from above,
She was so gentle and so good,
That duty bade me fall in love,
And ‘but for that,’ thought I, ‘I should!’
I worshipp’d Kate with all my will,
In idle moods you seem to see
A noble spirit in a hill,
A human touch about a tree.

IV.
A Distinction.

The lack of lovely pride, in her
Who strives to please, my pleasure numbs,
And still the maid I most prefer
Whose care to please with pleasing comes.

MARY AND MILDRED.

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