EARLIER POEMS (1830–1836).
OLD IRONSIDES
THE LAST LEAF
THE CAMBRIDGE CHURCHYARD
TO AN INSECT
THE DILEMMA
MY AUNT
REFLECTIONS OF A PROUD PEDESTRIAN
DAILY TRIALS, BY A SENSITIVE MAN
EVENING, BY A TAILOR
THE DORCHESTER GIANT
TO THE PORTRAIT OF "A LADY"
THE COMET
THE Music-GRINDERS
THE TREADMILL SONG
THE SEPTEMBER GALE
THE HEIGHT OF THE RIDICULOUS
THE LAST READER
POETRY: A METRICAL ESSAY
[Volume 2 of the 1893 three volume set]
SONGS OF WELCOME AND FAREWELL
AMERICA TO RUSSIA
WELCOME TO THE GRAND DUKE ALEXIS
AT THE BANQUET TO THE GRAND DUKE ALEXIS
AT THE BANQUET TO THE CHINESE EMBASSY
AT THE BANQUET TO THE JAPANESE EMBASSY
BRYANT'S SEVENTIETH BIRTHDAY
A FAREWELL TO AGASSIZ
AT A DINNER TO ADMIRAL FARRAGUT
AT A DINNER TO GENERAL GRANT
To H W LONGFELLOW
To CHRISTIAN GOTTFRIED EHRENBERG
A TOAST TO WILKIE COLLINS
RHYMES OF AN HOUR
ADDRESS FOR THE OPENING OF THE FIFTH AVENUE THEATRE, N. Y. 1873
A SEA DIALOGUE
CHANSON WITHOUT MUSIC
FOR THE CENTENNIAL DINNER, PROPRIETORS OF BOSTON PIER, 1873
A POEM SERVED TO ORDER
THE FOUNTAIN OF YOUTH
No TIME LIKE THE OLD TIME
A HYMN OF PEACE, TO THE MUSIC OF KELLER'S "AMERICAN HYMN"
[Volume 3 of the 1893 three volume set]
BUNKER-HILL BATTLE AND OTHER POEMS
GRANDMOTHER'S STORY OF BUNKER-HILL BATTLE
AT THE "ATLANTIC" DINNER, DECEMBER 15, 1874
"LUCY." FOR HER GOLDEN WEDDING, OCTOBER 18, 1875
HYMN FOR THE INAUGURATION OF THE STATUE OF GOVERNOR ANDREW, HINGHAM,
OCTOBER 7, 1875
A MEMORIAL TRIBUTE TO DR. SAMUEL G. HOWE
JOSEPH WARREN, M. D.
OLD CAMBRIDGE, JULY 3, 1875
WELCOME TO THE NATIONS, PHILADELPHIA, JULY 4, 1876
A FAMILIAR LETTER
UNSATISFIED
HOW THE OLD HORSE WON THE BET
AN APPEAL FOR "THE OLD SOUTH"
THE FIRST FAN
To R. B. H.
THE SHIP OF STATE
A FAMILY RECORD
NAY, blame me not; I might have spared
Your patience many a trivial verse,
Yet these my earlier welcome shared,
So, let the better shield the worse.
And some might say, "Those ruder songs
Had freshness which the new have lost;
To spring the opening leaf belongs,
The chestnut-burs await the frost."
When those I wrote, my locks were brown,
When these I write—ah, well a-day!
The autumn thistle's silvery down
Is not the purple bloom of May.
Go, little book, whose pages hold
Those garnered years in loving trust;
How long before your blue and gold
Shall fade and whiten in the dust?
O sexton of the alcoved tomb,
Where souls in leathern cerements lie,
Tell me each living poet's doom!
How long before his book shall die?
It matters little, soon or late,
A day, a month, a year, an age—
I read oblivion in its date,
And Finis on its title-page.
Before we sighed, our griefs were told;
Before we smiled, our joys were sung;
And all our passions shaped of old
In accents lost to mortal tongue.
In vain a fresher mould we seek—
Can all the varied phrases tell
That Babel's wandering children speak
How thrushes sing or lilacs smell?
Caged in the poet's lonely heart,
Love wastes unheard its tenderest tone;
The soul that sings must dwell apart,
Its inward melodies unknown.
Deal gently with us, ye who read
Our largest hope is unfulfilled—
The promise still outruns the deed—
The tower, but not the spire, we build.
Our whitest pearl we never find;
Our ripest fruit we never reach;
The flowering moments of the mind
Drop half their petals in our speech.
These are my blossoms; if they wear
One streak of morn or evening's glow,
Accept them; but to me more fair
The buds of song that never blow.
April 8, 1862.
This was the popular name by which the frigate Constitution was known. The poem was first printed in the Boston Daily Advertiser, at the time when it was proposed to break up the old ship as unfit for service. I subjoin the paragraph which led to the writing of the poem. It is from the Advertiser of Tuesday, September 14, 1830:—
"Old Ironsides.—It has been affirmed upon good authority that the Secretary of the Navy has recommended to the Board of Navy Commissioners to dispose of the frigate Constitution. Since it has been understood that such a step was in contemplation we have heard but one opinion expressed, and that in decided disapprobation of the measure. Such a national object of interest, so endeared to our national pride as Old Ironsides is, should never by any act of our government cease to belong to the Navy, so long as our country is to be found upon the map of nations. In England it was lately determined by the Admiralty to cut the Victory, a one-hundred gun ship (which it will be recollected bore the flag of Lord Nelson at the battle of Trafalgar,) down to a seventy-four, but so loud were the lamentations of the people upon the proposed measure that the intention was abandoned. We confidently anticipate that the Secretary of the Navy will in like manner consult the general wish in regard to the Constitution, and either let her remain in ordinary or rebuild her whenever the public service may require."—New York Journal of Commerce.
The poem was an impromptu outburst of feeling and was published on the next day but one after reading the above paragraph.
AY, tear her tattered ensign down
Long has it waved on high,
And many an eye has danced to see
That banner in the sky;
Beneath it rung the battle shout,
And burst the cannon's roar;—
The meteor of the ocean air
Shall sweep the clouds no more.
Her deck, once red with heroes' blood,
Where knelt the vanquished foe,
When winds were hurrying o'er the flood,
And waves were white below,
No more shall feel the victor's tread,
Or know the conquered knee;—
The harpies of the shore shall pluck
The eagle of the sea!
Oh better that her shattered hulk
Should sink beneath the wave;
Her thunders shook the mighty deep,
And there should be her grave;
Nail to the mast her holy flag,
Set every threadbare sail,
And give her to the god of storms,
The lightning and the gale!
This poem was suggested by the appearance in one of our streets of a venerable relic of the Revolution, said to be one of the party who threw the tea overboard in Boston Harbor. He was a fine monumental specimen in his cocked hat and knee breeches, with his buckled shoes and his sturdy cane. The smile with which I, as a young man, greeted him, meant no disrespect to an honored fellow-citizen whose costume was out of date, but whose patriotism never changed with years. I do not recall any earlier example of this form of verse, which was commended by the fastidious Edgar Allan Poe, who made a copy of the whole poem which I have in his own handwriting. Good Abraham Lincoln had a great liking for the poem, and repeated it from memory to Governor Andrew, as the governor himself told me.
I SAW him once before,
As he passed by the door,
And again
The pavement stones resound,
As he totters o'er the ground
With his cane.
They say that in his prime,
Ere the pruning-knife of Time
Cut him down,
Not a better man was found
By the Crier on his round
Through the town.
But now he walks the streets,
And he looks at all he meets
Sad and wan,
And he shakes his feeble head,
That it seems as if he said,
"They are gone."
The mossy marbles rest
On the lips that he has prest
In their bloom,
And the names he loved to hear
Have been carved for many a year
On the tomb.
My grandmamma has said—
Poor old lady, she is dead
Long ago—
That he had a Roman nose,
And his cheek was like a rose
In the snow.
But now his nose is thin,
And it rests upon his chin
Like a staff,
And a crook is in his back,
And a melancholy crack
In his laugh.
I know it is a sin
For me to sit and grin
At him here;
But the old three-cornered hat,
And the breeches, and all that,
Are so queer!
And if I should live to be
The last leaf upon the tree
In the spring,
Let them smile, as I do now,
At the old forsaken bough
Where I cling.
OUR ancient church! its lowly tower,
Beneath the loftier spire,
Is shadowed when the sunset hour
Clothes the tall shaft in fire;
It sinks beyond the distant eye
Long ere the glittering vane,
High wheeling in the western sky,
Has faded o'er the plain.
Like Sentinel and Nun, they keep
Their vigil on the green;
One seems to guard, and one to weep,
The dead that lie between;
And both roll out, so full and near,
Their music's mingling waves,
They shake the grass, whose pennoned spear
Leans on the narrow graves.
The stranger parts the flaunting weeds,
Whose seeds the winds have strown
So thick, beneath the line he reads,
They shade the sculptured stone;
The child unveils his clustered brow,
And ponders for a while
The graven willow's pendent bough,
Or rudest cherub's smile.
But what to them the dirge, the knell?
These were the mourner's share—
The sullen clang, whose heavy swell
Throbbed through the beating air;
The rattling cord, the rolling stone,
The shelving sand that slid,
And, far beneath, with hollow tone
Rung on the coffin's lid.
The slumberer's mound grows fresh and green,
Then slowly disappears;
The mosses creep, the gray stones lean,
Earth hides his date and years;
But, long before the once-loved name
Is sunk or worn away,
No lip the silent dust may claim,
That pressed the breathing clay.
Go where the ancient pathway guides,
See where our sires laid down
Their smiling babes, their cherished brides,
The patriarchs of the town;
Hast thou a tear for buried love?
A sigh for transient power?
All that a century left above,
Go, read it in an hour!
The Indian's shaft, the Briton's ball,
The sabre's thirsting edge,
The hot shell, shattering in its fall,
The bayonet's rending wedge—
Here scattered death; yet, seek the spot,
No trace thine eye can see,
No altar—and they need it not
Who leave their children free!
Look where the turbid rain-drops stand
In many a chiselled square;
The knightly crest, the shield, the brand
Of honored names were there;—
Alas! for every tear is dried
Those blazoned tablets knew,
Save when the icy marble's side
Drips with the evening dew.
Or gaze upon yon pillared stone,
The empty urn of pride;
There stand the Goblet and the Sun—
What need of more beside?
Where lives the memory of the dead,
Who made their tomb a toy?
Whose ashes press that nameless bed?
Go, ask the village boy!
Lean o'er the slender western wall,
Ye ever-roaming girls;
The breath that bids the blossom fall
May lift your floating curls,
To sweep the simple lines that tell
An exile's date and doom;
And sigh, for where his daughters dwell,
They wreathe the stranger's tomb.
And one amid these shades was born,
Beneath this turf who lies,
Once beaming as the summer's morn,
That closed her gentle eyes;
If sinless angels love as we,
Who stood thy grave beside,
Three seraph welcomes waited thee,
The daughter, sister, bride.
I wandered to thy buried mound
When earth was hid below
The level of the glaring ground,
Choked to its gates with snow,
And when with summer's flowery waves
The lake of verdure rolled,
As if a Sultan's white-robed slaves
Had scattered pearls and gold.
Nay, the soft pinions of the air,
That lift this trembling tone,
Its breath of love may almost bear
To kiss thy funeral stone;
And, now thy smiles have passed away,
For all the joy they gave,
May sweetest dews and warmest ray
Lie on thine early grave!
When damps beneath and storms above
Have bowed these fragile towers,
Still o'er the graves yon locust grove
Shall swing its Orient flowers;
And I would ask no mouldering bust,
If e'er this humble line,
Which breathed a sigh o'er other's dust,
Might call a tear on mine.
The Katydid is "a species of grasshopper found in the United States, so called from the sound which it makes."—Worcester. I used to hear this insect in Providence, Rhode Island, but I do not remember hearing it in Cambridge, Massachusetts, where I passed my boyhood. It is well known in other towns in the neighborhood of Boston.
I LOVE to hear thine earnest voice,
Wherever thou art hid,
Thou testy little dogmatist,
Thou pretty Katydid
Thou mindest me of gentlefolks—
Old gentlefolks are they—
Thou say'st an undisputed thing
In such a solemn way.
Thou art a female, Katydid
I know it by the trill
That quivers through thy piercing notes,
So petulant and shrill;
I think there is a knot of you
Beneath the hollow tree—
A knot of spinster Katydids—
Do Katydids drink tea?
Oh tell me where did Katy live,
And what did Katy do?
And was she very fair and young,
And yet so wicked, too?
Did Katy love a naughty man,
Or kiss more cheeks than one?
I warrant Katy did no more
Than many a Kate has done.
Dear me! I'll tell you all about
My fuss with little Jane,
And Ann, with whom I used to walk
So often down the lane,
And all that tore their locks of black,
Or wet their eyes of blue—
Pray tell me, sweetest Katydid,
What did poor Katy do?
Ah no! the living oak shall crash,
That stood for ages still,
The rock shall rend its mossy base
And thunder down the hill,
Before the little Katydid
Shall add one word, to tell
The mystic story of the maid
Whose name she knows so well.
Peace to the ever-murmuring race!
And when the latest one
Shall fold in death her feeble wings
Beneath the autumn sun,
Then shall she raise her fainting voice,
And lift her drooping lid,
And then the child of future years
Shall hear what Katy did.
Now, by the blessed Paphian queen,
Who heaves the breast of sweet sixteen;
By every name I cut on bark
Before my morning star grew dark;
By Hymen's torch, by Cupid's dart,
By all that thrills the beating heart;
The bright black eye, the melting blue—
I cannot choose between the two.
I had a vision in my dreams;—
I saw a row of twenty beams;
From every beam a rope was hung,
In every rope a lover swung;
I asked the hue of every eye
That bade each luckless lover die;
Ten shadowy lips said, heavenly blue,
And ten accused the darker hue.
I asked a matron which she deemed
With fairest light of beauty beamed;
She answered, some thought both were fair—
Give her blue eyes and golden hair.
I might have liked her judgment well,
But, as she spoke, she rung the bell,
And all her girls, nor small nor few,
Came marching in—their eyes were blue.
I asked a maiden; back she flung
The locks that round her forehead hung,
And turned her eye, a glorious one,
Bright as a diamond in the sun,
On me, until beneath its rays
I felt as if my hair would blaze;
She liked all eyes but eyes of green;
She looked at me; what could she mean?
Ah! many lids Love lurks between,
Nor heeds the coloring of his screen;
And when his random arrows fly,
The victim falls, but knows not why.
Gaze not upon his shield of jet,
The shaft upon the string is set;
Look not beneath his azure veil,
Though every limb were cased in mail.
Well, both might make a martyr break
The chain that bound him to the stake;
And both, with but a single ray,
Can melt our very hearts away;
And both, when balanced, hardly seem
To stir the scales, or rock the beam;
But that is dearest, all the while,
That wears for us the sweetest smile.
MY aunt! my dear unmarried aunt!
Long years have o'er her flown;
Yet still she strains the aching clasp
That binds her virgin zone;
I know it hurts her—though she looks
As cheerful as she can;
Her waist is ampler than her life,
For life is but a span.
My aunt! my poor deluded aunt!
Her hair is almost gray;
Why will she train that winter curl
In such a spring-like way?
How can she lay her glasses down,
And say she reads as well,
When through a double convex lens
She just makes out to spell?
Her father—grandpapa I forgive
This erring lip its smiles—
Vowed she should make the finest girl
Within a hundred miles;
He sent her to a stylish school;
'T was in her thirteenth June;
And with her, as the rules required,
"Two towels and a spoon."
They braced my aunt against a board,
To make her straight and tall;
They laced her up, they starved her down,
To make her light and small;
They pinched her feet, they singed her hair,
They screwed it up with pins;—
Oh never mortal suffered more
In penance for her sins.
So, when my precious aunt was done,
My grandsire brought her back;
(By daylight, lest some rabid youth
Might follow on the track;)
"Ah!" said my grandsire, as he shook
Some powder in his pan,
"What could this lovely creature do
Against a desperate man!"
Alas! nor chariot, nor barouche,
Nor bandit cavalcade,
Tore from the trembling father's arms
His all-accomplished maid.
For her how happy had it been
And Heaven had spared to me
To see one sad, ungathered rose
On my ancestral tree.
I SAW the curl of his waving lash,
And the glance of his knowing eye,
And I knew that he thought he was cutting a dash,
As his steed went thundering by.
And he may ride in the rattling gig,
Or flourish the Stanhope gay,
And dream that he looks exceeding big
To the people that walk in the way;
But he shall think, when the night is still,
On the stable-boy's gathering numbers,
And the ghost of many a veteran bill
Shall hover around his slumbers;
The ghastly dun shall worry his sleep,
And constables cluster around him,
And he shall creep from the wood-hole deep
Where their spectre eyes have found him!
Ay! gather your reins, and crack your thong,
And bid your steed go faster;
He does not know, as he scrambles along,
That he has a fool for his master;
And hurry away on your lonely ride,
Nor deign from the mire to save me;
I will paddle it stoutly at your side
With the tandem that nature gave me!
OH, there are times
When all this fret and tumult that we hear
Do seem more stale than to the sexton's ear
His own dull chimes.
Ding dong! ding dong!
The world is in a simmer like a sea
Over a pent volcano—woe is me
All the day long!
From crib to shroud!
Nurse o'er our cradles screameth lullaby,
And friends in boots tramp round us as we die,
Snuffling aloud.
At morning's call
The small-voiced pug-dog welcomes in the sun,
And flea-bit mongrels, wakening one by one,
Give answer all.
When evening dim
Draws round us, then the lonely caterwaul,
Tart solo, sour duet, and general squall—
These are our hymn.
Women, with tongues
Like polar needles, ever on the jar;
Men, plugless word-spouts, whose deep fountains are
Within their lungs.
Children, with drums
Strapped round them by the fond paternal ass;
Peripatetics with a blade of grass
Between their thumbs.
Vagrants, whose arts
Have caged some devil in their mad machine,
Which grinding, squeaks, with husky groans between,
Come out by starts.
Cockneys that kill
Thin horses of a Sunday—men, with clams,
Hoarse as young bisons roaring for their dams
From hill to hill.
Soldiers, with guns,
Making a nuisance of the blessed air,
Child-crying bellmen, children in despair,
Screeching for buns.
Storms, thunders, waves!
Howl, crash, and bellow till ye get your fill;
Ye sometimes rest; men never can be still
But in their graves.
DAY hath put on his jacket, and around
His burning bosom buttoned it with stars.
Here will I lay me on the velvet grass,
That is like padding to earth's meagre ribs,
And hold communion with the things about me.
Ah me! how lovely is the golden braid
That binds the skirt of night's descending robe!
The thin leaves, quivering on their silken threads,
Do make a music like to rustling satin,
As the light breezes smooth their downy nap.
Ha! what is this that rises to my touch,
So like a cushion? Can it be a cabbage?
It is, it is that deeply injured flower,
Which boys do flout us with;—but yet I love thee,
Thou giant rose, wrapped in a green surtout.
Doubtless in Eden thou didst blush as bright
As these, thy puny brethren; and thy breath
Sweetened the fragrance of her spicy air;
But now thou seemest like a bankrupt beau,
Stripped of his gaudy hues and essences,
And growing portly in his sober garments.
Is that a swan that rides upon the water?
Oh no, it is that other gentle bird,
Which is the patron of our noble calling.
I well remember, in my early years,
When these young hands first closed upon a goose;
I have a scar upon my thimble finger,
Which chronicles the hour of young ambition.
My father was a tailor, and his father,
And my sire's grandsire, all of them were tailors;
They had an ancient goose—it was an heirloom
From some remoter tailor of our race.
It happened I did see it on a time
When none was near, and I did deal with it,
And it did burn me—oh, most fearfully!
It is a joy to straighten out one's limbs,
And leap elastic from the level counter,
Leaving the petty grievances of earth,
The breaking thread, the din of clashing shears,
And all the needles that do wound the spirit,
For such a pensive hour of soothing silence.
Kind Nature, shuffling in her loose undress,
Lays bare her shady bosom;—I can feel
With all around me;—I can hail the flowers
That sprig earth's mantle—and yon quiet bird,
That rides the stream, is to me as a brother.
The vulgar know not all the hidden pockets,
Where Nature stows away her loveliness.
But this unnatural posture of the legs
Cramps my extended calves, and I must go
Where I can coil them in their wonted fashion.
The "pudding-stone" is a remarkable conglomerate found very abundantly in the towns mentioned, all of which are in the neighborhood of Boston. We used in those primitive days to ask friends to ride with us when we meant to take them to drive with us.
THERE was a giant in time of old,
A mighty one was he;
He had a wife, but she was a scold,
So he kept her shut in his mammoth fold;
And he had children three.
It happened to be an election day,
And the giants were choosing a king
The people were not democrats then,
They did not talk of the rights of men,
And all that sort of thing.
Then the giant took his children three,
And fastened them in the pen;
The children roared; quoth the giant, "Be still!"
And Dorchester Heights and Milton Hill
Rolled back the sound again.
Then he brought them a pudding stuffed with plums,
As big as the State-House dome;
Quoth he, "There 's something for you to eat;
So stop your mouths with your 'lection treat,
And wait till your dad comes home."
So the giant pulled him a chestnut stout,
And whittled the boughs away;
The boys and their mother set up a shout,
Said he, "You 're in, and you can't get out,
Bellow as loud as you may."
Off he went, and he growled a tune
As he strode the fields along;
'T is said a buffalo fainted away,
And fell as cold as a lump of clay,
When he heard the giant's song.
But whether the story 's true or not,
It is n't for me to show;
There 's many a thing that 's twice as queer
In somebody's lectures that we hear,
And those are true, you know.
What are those lone ones doing now,
The wife and the children sad?
Oh, they are in a terrible rout,
Screaming, and throwing their pudding about,
Acting as they were mad.
They flung it over to Roxbury hills,
They flung it over the plain,
And all over Milton and Dorchester too
Great lumps of pudding the giants threw;
They tumbled as thick as rain.
Giant and mammoth have passed away,
For ages have floated by;
The suet is hard as a marrow-bone,
And every plum is turned to a stone,
But there the puddings lie.
And if, some pleasant afternoon,
You 'll ask me out to ride,
The whole of the story I will tell,
And you shall see where the puddings fell,
And pay for the punch beside.
WELL, Miss, I wonder where you live,
I wonder what's your name,
I wonder how you came to be
In such a stylish frame;
Perhaps you were a favorite child,
Perhaps an only one;
Perhaps your friends were not aware
You had your portrait done.
Yet you must be a harmless soul;
I cannot think that Sin
Would care to throw his loaded dice,
With such a stake to win;
I cannot think you would provoke
The poet's wicked pen,
Or make young women bite their lips,
Or ruin fine young men.
Pray, did you ever hear, my love,
Of boys that go about,
Who, for a very trifling sum,
Will snip one's picture out?
I'm not averse to red and white,
But all things have their place,
I think a profile cut in black
Would suit your style of face!
I love sweet features; I will own
That I should like myself
To see my portrait on a wall,
Or bust upon a shelf;
But nature sometimes makes one up
Of such sad odds and ends,
It really might be quite as well
Hushed up among one's friends!
THE Comet! He is on his way,
And singing as he flies;
The whizzing planets shrink before
The spectre of the skies;
Ah! well may regal orbs burn blue,
And satellites turn pale,
Ten million cubic miles of head,
Ten billion leagues of tail!
On, on by whistling spheres of light
He flashes and he flames;
He turns not to the left nor right,
He asks them not their names;
One spurn from his demoniac heel—
Away, away they fly,
Where darkness might be bottled up
And sold for "Tyrian dye."
And what would happen to the land,
And how would look the sea,
If in the bearded devil's path
Our earth should chance to be?
Full hot and high the sea would boil,
Full red the forests gleam;
Methought I saw and heard it all
In a dyspeptic dream!
I saw a tutor take his tube
The Comet's course to spy;
I heard a scream—the gathered rays
Had stewed the tutor's eye;
I saw a fort—the soldiers all
Were armed with goggles green;
Pop cracked the guns! whiz flew the balls!
Bang went the magazine!
I saw a poet dip a scroll
Each moment in a tub,
I read upon the warping back,
"The Dream of Beelzebub;"
He could not see his verses burn,
Although his brain was fried,
And ever and anon he bent
To wet them as they dried.
I saw the scalding pitch roll down
The crackling, sweating pines,
And streams of smoke, like water-spouts,
Burst through the rumbling mines;
I asked the firemen why they made
Such noise about the town;
They answered not—but all the while
The brakes went up and down.
I saw a roasting pullet sit
Upon a baking egg;
I saw a cripple scorch his hand
Extinguishing his leg;
I saw nine geese upon the wing
Towards the frozen pole,
And every mother's gosling fell
Crisped to a crackling coal.
I saw the ox that browsed the grass
Writhe in the blistering rays,
The herbage in his shrinking jaws
Was all a fiery blaze;
I saw huge fishes, boiled to rags,
Bob through the bubbling brine;
And thoughts of supper crossed my soul;
I had been rash at mine.
Strange sights! strange sounds! Oh fearful dream!
Its memory haunts me still,
The steaming sea, the crimson glare,
That wreathed each wooded hill;
Stranger! if through thy reeling brain
Such midnight visions sweep,
Spare, spare, oh, spare thine evening meal,
And sweet shall be thy sleep!
THERE are three ways in which men take
One's money from his purse,
And very hard it is to tell
Which of the three is worse;
But all of them are bad enough
To make a body curse.
You're riding out some pleasant day,
And counting up your gains;
A fellow jumps from out a bush,
And takes your horse's reins,
Another hints some words about
A bullet in your brains.
It's hard to meet such pressing friends
In such a lonely spot;
It's very hard to lose your cash,
But harder to be shot;
And so you take your wallet out,
Though you would rather not.
Perhaps you're going out to dine—
Some odious creature begs
You'll hear about the cannon-ball
That carried off his pegs,
And says it is a dreadful thing
For men to lose their legs.
He tells you of his starving wife,
His children to be fed,
Poor little, lovely innocents,
All clamorous for bread—
And so you kindly help to put
A bachelor to bed.
You're sitting on your window-seat,
Beneath a cloudless moon;
You hear a sound, that seems to wear
The semblance of a tune,
As if a broken fife should strive
To drown a cracked bassoon.
And nearer, nearer still, the tide
Of music seems to come,
There's something like a human voice,
And something like a drum;
You sit in speechless agony,
Until your ear is numb.
Poor "home, sweet home" should seem to be
A very dismal place;
Your "auld acquaintance" all at once
Is altered in the face;
Their discords sting through Burns and Moore,
Like hedgehogs dressed in lace.
You think they are crusaders, sent
From some infernal clime,
To pluck the eyes of Sentiment,
And dock the tail of Rhyme,
To crack the voice of Melody,
And break the legs of Time.
But hark! the air again is still,
The music all is ground,
And silence, like a poultice, comes
To heal the blows of sound;
It cannot be—it is—it is—
A hat is going round!
No! Pay the dentist when he leaves
A fracture in your jaw,
And pay the owner of the bear
That stunned you with his paw,
And buy the lobster that has had
Your knuckles in his claw;
But if you are a portly man,
Put on your fiercest frown,
And talk about a constable
To turn them out of town;
Then close your sentence with an oath,
And shut the window down!
And if you are a slender man,
Not big enough for that,
Or, if you cannot make a speech,
Because you are a flat,
Go very quietly and drop
A button in the hat!
THE stars are rolling in the sky,
The earth rolls on below,
And we can feel the rattling wheel
Revolving as we go.
Then tread away, my gallant boys,
And make the axle fly;
Why should not wheels go round about,
Like planets in the sky?
Wake up, wake up, my duck-legged man,
And stir your solid pegs
Arouse, arouse, my gawky friend,
And shake your spider legs;
What though you're awkward at the trade,
There's time enough to learn—
So lean upon the rail, my lad,
And take another turn.
They've built us up a noble wall,
To keep the vulgar out;
We've nothing in the world to do
But just to walk about;
So faster, now, you middle men,
And try to beat the ends—
It's pleasant work to ramble round
Among one's honest friends.
Here, tread upon the long man's toes,
He sha'n't be lazy here—
And punch the little fellow's ribs,
And tweak that lubber's ear—
He's lost them both—don't pull his hair,
Because he wears a scratch,
But poke him in the further eye,
That is n't in the patch.
Hark! fellows, there 's the supper-bell,
And so our work is done;
It's pretty sport—suppose we take
A round or two for fun!
If ever they should turn me out,
When I have better grown,
Now hang me, but I mean to have
A treadmill of my own!
This tremendous hurricane occurred on the 23d of September, 1815. I remember it well, being then seven years old. A full account of it was published, I think, in the records of the American Academy of Arts and Sciences. Some of my recollections are given in The Seasons, an article to be found in a book of mine entitled Pages from an Old Volume of Life.
I'M not a chicken; I have seen
Full many a chill September,
And though I was a youngster then,
That gale I well remember;
The day before, my kite-string snapped,
And I, my kite pursuing,
The wind whisked off my palm-leaf hat;
For me two storms were brewing!
It came as quarrels sometimes do,
When married folks get clashing;
There was a heavy sigh or two,
Before the fire was flashing—
A little stir among the clouds,
Before they rent asunder—
A little rocking of the trees,
And then came on the thunder.
Lord! how the ponds and rivers boiled!
They seemed like bursting craters!
And oaks lay scattered on the ground
As if they were p'taters;
And all above was in a howl,
And all below a clatter—
The earth was like a frying-pan,
Or some such hissing matter.
It chanced to be our washing-day,
And all our things were drying;
The storm came roaring through the lines,
And set them all a flying;
I saw the shirts and petticoats
Go riding off like witches;
I lost, ah! bitterly I wept—
I lost my Sunday breeches!
I saw them straddling through the air,
Alas! too late to win them;
I saw them chase the clouds, as if
The devil had been in them;
They were my darlings and my pride,
My boyhood's only riches—
"Farewell, farewell," I faintly cried—
"My breeches! Oh my breeches!"
That night I saw them in my dreams,
How changed from what I knew them!
The dews had steeped their faded threads,
The winds had whistled through them
I saw the wide and ghastly rents
Where demon claws had torn them;
A hole was in their amplest part,
As if an imp had worn them.
I have had many happy years,
And tailors kind and clever,
But those young pantaloons have gone
Forever and forever!
And not till fate has cut the last
Of all my earthly stitches,
This aching heart shall cease to mourn
My loved, my long-lost breeches!
I WROTE some lines once on a time
In wondrous merry mood,
And thought, as usual, men would say
They were exceeding good.
They were so queer, so very queer,
I laughed as I would die;
Albeit, in the general way,
A sober man am I.
I called my servant, and he came;
How kind it was of him
To mind a slender man like me,
He of the mighty limb.
"These to the printer," I exclaimed,
And, in my humorous way,
I added, (as a trifling jest,)
"There'll be the devil to pay."
He took the paper, and I watched,
And saw him peep within;
At the first line he read, his face
Was all upon the grin.
He read the next; the grin grew broad,
And shot from ear to ear;
He read the third; a chuckling noise
I now began to hear.
The fourth; he broke into a roar;
The fifth; his waistband split;
The sixth; he burst five buttons off,
And tumbled in a fit.
Ten days and nights, with sleepless eye,
I watched that wretched man,