Details
Sigismund Neukomm in Brazil
A Concert Commemorating the Bicentenary of the first performance of DON GIOVANNI out of Europe in Rio de Janeiro on 20 September 1821|
11,99 € |
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| Verlag: | Hollitzer Wissenschaftsverlag |
| Format: | |
| Veröffentl.: | 20.09.2021 |
| ISBN/EAN: | 9783990129753 |
| Sprache: | englisch |
| Anzahl Seiten: | 84 |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
On the "Rio Don-Giovanni-Day", 20 September 2021, a concert is dedicated to the works of Sigismund Neukomm composed in and for Brazil.
The programme also includes a composition by the Brazilian composer José Maurício Nunes Garcia (Rio 1767–1858), highly esteemed by Neukomm and occasionally described as "the Brazilian Mozart". He conducted the first performance of Mozart's Requiem with Neukomm's "Libera me" in the Igreja Nossa Senhora do Parto on 19 December 1819.
The concert is a cooperation of Don Juan Archiv Wien with partners in Austria, Portugal, and Brazil: the Mozarteum University Salzburg, Divino Sospiro – Centro de Estudos Musicais Setecentistas de Portugal, and Musica Brasilis.
Accordingly, the music will be performed in four locations: Vienna, Salzburg, Queluz/Lisbon, and Rio de Janeiro. While the partnering institutions' concerts with commentaries are recorded especially for this occasion, the performances in Vienna will be broadcast live.
The programme also includes a composition by the Brazilian composer José Maurício Nunes Garcia (Rio 1767–1858), highly esteemed by Neukomm and occasionally described as "the Brazilian Mozart". He conducted the first performance of Mozart's Requiem with Neukomm's "Libera me" in the Igreja Nossa Senhora do Parto on 19 December 1819.
The concert is a cooperation of Don Juan Archiv Wien with partners in Austria, Portugal, and Brazil: the Mozarteum University Salzburg, Divino Sospiro – Centro de Estudos Musicais Setecentistas de Portugal, and Musica Brasilis.
Accordingly, the music will be performed in four locations: Vienna, Salzburg, Queluz/Lisbon, and Rio de Janeiro. While the partnering institutions' concerts with commentaries are recorded especially for this occasion, the performances in Vienna will be broadcast live.
PROGRAM
Welcome Greetings
Matthias J. Pernerstorfer
Don Juan Archiv Wien
David Schriffl
Austria Foreign Ministry,
Department of International Cultural Affairs
H. E. Ambassador
José Antônio Marcondes de Carvalho
Embassy of Brazil in Austria
H. E. Ambassador
António de Almeida Ribeiro
Embassy of Portugal in Austria
Introductory Words
Reinhard Eisendle
Don Juan Archiv Wien
Moderation of the Concert
Suna Suner
Don Juan Archiv Wien
Sigismund Neukomm
Theme de Kozeluch varié pour le Piano forte
avec accompagnement de Violoncello
dedié à
S. A. R Madame la Princesse Carolina-Leopoldina
Rio de Janeiro 1817
Piano Hannah Eisendle
Cello Rodrigo Sámano Albarrán
Sigismund Neukomm
Missa Sancti Johannis
written in Paris 1816
for Rio de Janeiro
World premiere
Conductor Ricardo Bernardes
Soloists and Choir of Ensemble Americantiga
Orchestra Divino Sospiro
Wolfgang Amadeus Mozart
Missa brevis in F-major
KV 192
Credo
Salzburg 1774
Conductor Massimo Mazzeo
Soloists and Choir of Ensemble Americantiga
Orchestra Divino Sospiro
Sigismund Neukomm
O Amor Brasileiro
Caprice pour Pianoforte sur un londu Brésilien
dedié à
Mademoiselle Donna Maria Joanna de Almeida
Rio de Janeiro 1819
Piano Hannah Eisendle
José Maurício Nunes Garcia
Laudate Dominum
Rio de Janeiro 1813
Conductor Franz Obermair
Soprano Bettina Meiners
Alto Tamara Obermair
Tenor Konstantin Igl
Bass Benjamin Sattlecker
Organ Aleksei Grots
Canto Mozarteum vokalEnsemble
Supervision Jörn Hinnerk Andresen
Coordination Stefan David Hummel
Sigismund Neukomm
Nocturne
for piano, violin and cello
(also arranged for piano, oboe and horn)
dedié à
Mme. Marie Thérèse, Princesse de Beira
Rio de Janeiro 1817
Piano Rosana Lanzelotte
Violin Tomaz Soares
Cello Marcus Ribeiro
Sigismund Neukomm
Sonate pour le Pianoforte
avec accompagnement de Violon
dedié à
S.A.R. Mme la Comtesse Marie Therèse
Rio de Janeiro 1819
Piano Rosana Lanzelotte
Violin Tomaz Soares
Percussion Adam Lee
Sigismund Neukomm
Räthsel-Canon für 8 Stimmen
Rio de Janeiro 1821
Conductor Franz Obermair
Soprano Bettina Meiners
Alto Tamara Obermair
Tenor Konstantin Igl
Bass Benjamin Sattlecker
Organ Aleksei Grots
Canto Mozarteum vokalEnsemble
Supervision Jörn Hinnerk Andresen
Coordination Stefan David Hummel
Hannah Eisendle
O Amor Brasileiro II
Composition for piano and electronics
Vienna 2021
World premiere
Piano Hannah Eisendle
Reinhard Eisendle arbeitet am Don Juan Archiv Wien über die Geschichte des Theaters vom 17. bis zum 19. Jahrhundert: im Besonderen über das Vehältnis von Theater, Politik und Diplomatie, die Figur des Don Juan auf der internationalen Bühne sowie die Inszenierung des Serails im europäischen Theater. Er ist Mitherausgeber der Reihen "Don Juan Studies" und "Diplomatica", zweier neugegründeter Publikationsserien des Don Juan Archivs Wien.
Eisendle kuratierte auch etliche kultur- und theatergeschichtliche Ausstellungen, unter anderem die Ausstellungen "Salieri sulle tracce di Mozart" 2004 im Mailänder Palazzo Reale anlässlich der Wiedereröffnung des Teatro alla Scala sowie "Mozart. Experiment Aufklärung" 2006 in der Albertina Wien.
Als Dramaturg, vornehmlich des zeitgenössichen Theaters, ist Eisendle auch der theatralen Praxis verbunden - so erstellte er eine dramatische Fassung von Ash Erdogans Roman "Das Haus aus Stein", welche unter dem Titel "Nicht einmal das Schweigen" im November 2019 in Graz uraufgeführt wurde.
Matthias J. Pernerstorfer studierte Theater-, Film- und Medienwissenschaft in Wien und München. DOC-Stipendium der Österreichischen Akademie der Wissenschaften (2003-2005), Dissertation zu Menanders "Kolax" (2005). Von 2005 bis 2006 Mitarbeiter am Da Ponte Institut, seit 2007 Mitarbeiter des Don Juan Archivs Wien, seit 2009 Projektleiter, seit 2011 Direktor.
Suna Suner, Dr.phil., theatre scholar, singer, stage artist. Born in Ankara, she studied Translation & Interpreting at Hacettepe University (B.A., 1996). Taught at Istanbul Bilgi University between the years 1996–2002 and in 2004 received her M.A. degree in Performing Arts from Middlesex University in London. Numerous stage works and productions in music, theatre and performance disciplines in Ankara (1990–1996), in Istanbul (1996–2002), in London (2003–2004) and in Vienna (since 2004). Since 2007 she has been a member of the Don Juan Archiv Wien's team, specialising in the history of theatre and diplomacy in the Ottoman-European context. Since 2008 she has co-directed and organized the Don Juan Archiv Wien's international symposia series "Ottoman Empire & European Theatre". In 2013 received her PhD from the Institute of Theatre, Film & Media Studies of the University of Vienna. Co-editor of Don Juan Archiv Wien's publication series Ottomania and Diplomatica.
Eisendle kuratierte auch etliche kultur- und theatergeschichtliche Ausstellungen, unter anderem die Ausstellungen "Salieri sulle tracce di Mozart" 2004 im Mailänder Palazzo Reale anlässlich der Wiedereröffnung des Teatro alla Scala sowie "Mozart. Experiment Aufklärung" 2006 in der Albertina Wien.
Als Dramaturg, vornehmlich des zeitgenössichen Theaters, ist Eisendle auch der theatralen Praxis verbunden - so erstellte er eine dramatische Fassung von Ash Erdogans Roman "Das Haus aus Stein", welche unter dem Titel "Nicht einmal das Schweigen" im November 2019 in Graz uraufgeführt wurde.
Matthias J. Pernerstorfer studierte Theater-, Film- und Medienwissenschaft in Wien und München. DOC-Stipendium der Österreichischen Akademie der Wissenschaften (2003-2005), Dissertation zu Menanders "Kolax" (2005). Von 2005 bis 2006 Mitarbeiter am Da Ponte Institut, seit 2007 Mitarbeiter des Don Juan Archivs Wien, seit 2009 Projektleiter, seit 2011 Direktor.
Suna Suner, Dr.phil., theatre scholar, singer, stage artist. Born in Ankara, she studied Translation & Interpreting at Hacettepe University (B.A., 1996). Taught at Istanbul Bilgi University between the years 1996–2002 and in 2004 received her M.A. degree in Performing Arts from Middlesex University in London. Numerous stage works and productions in music, theatre and performance disciplines in Ankara (1990–1996), in Istanbul (1996–2002), in London (2003–2004) and in Vienna (since 2004). Since 2007 she has been a member of the Don Juan Archiv Wien's team, specialising in the history of theatre and diplomacy in the Ottoman-European context. Since 2008 she has co-directed and organized the Don Juan Archiv Wien's international symposia series "Ottoman Empire & European Theatre". In 2013 received her PhD from the Institute of Theatre, Film & Media Studies of the University of Vienna. Co-editor of Don Juan Archiv Wien's publication series Ottomania and Diplomatica.
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